The Green Mountain

The Jebel Akhdar (Green Mountain) rises to a height of nearly 3,000 m and is part of the Hajar mountain range. It includes the Saiq Plateau at 2,000 m altitude and receives enough rainfall and moisture to sustain agriculture. The area is famous for its maze of wadis and terraced orchards, where roses, pomegranates and apricots are abundant. These patches of lush vegetation, in stark contrast with the surrounding dry and rugged land, are what give this region its “Green Mountain” name.

Jebel Akhdar is one of the obligatory places to visit and experience in Oman and has been designated as a nature reserve since 2011. The region became notorious after Princess Diana’s visit in the 1980’s; she admired the sunset from a viewpoint that has since been known as “Diana’s point”. I first visited Saiq Plateau in 2004, and back then there was only 1 hotel and a few scattered houses, plus the old villages nested in the terraced farms. Today there are many hotels and resorts, but the beauty of the landscape still enchants visitors.

I went back to the Green Mountain a few weeks ago, to walk the trail that goes along the terraces and the old villages. It is impressive to see the human effort that was required to mold the terrain into terraces that border precipices with hundreds of meters, where different cereals and fruit trees are grown. The water is supplied through an old falaj network, narrow channels dug in the rock. After driving around to get reacquainted with the area, I stopped near the terraces to admire the sunset. Lady Di was right, it is a magical experience. I took several photos as the sun went down behind the distant mountains.

Going up. The Royal Oman Police (ROP) only allows 4WD vehicles to access the Saiq Plateau. This is for safety reasons, as the road is really very steep.
Warm mist at sunset.
Sunset.
Sunset over the terraces and old villages.

The following morning, I woke up well before sunrise, to photograph the terraces and villages as the first light was appearing. There was nobody else around, and the silence was complete. It was cold too. As the night transitioned into day, a soft pinkish light started to fall upon the cliffs.

Dawn under the Moon.
Terraces at dawn.
Rugged.

After a well deserved breakfast, I walked the terrace trail; it was still early, so I had the path all to myself. I suggest walking this trail early in the morning, when the air is crisp and cold, to appreciate the tranquility present in the narrow streets that wind between old mud and adobe houses. If you do so, you will also avoid other visitors. It takes around 3 hours and affords beautiful views.

Green fields and hard work.
Old man.
Old village.

Besides this popular terrace walk, there are many other interesting places to visit, including historical abandoned villages (such as in Wadi Bani Habib and Al Sugra), and remote viewpoints that overlook the deeply cut mountain canyons at the head of major wadis.  At this higher altitude, the plateau is also home to a good number of juniper trees, the largest of which are centuries old. You will also see several birds of prey, flying effortlessly against the blue sky.

View over the abandoned houses in Wadi Bani Habib. The village is uninhabited, but the fields are still cared for. Not long ago, the only access was by donkey.
Old houses, Wadi Bani Habib.
In the valley, Wadi Bani Habib.

Given the wide landscape, I made a few panoramas as well.

Dawn panorama.
Panorama in the mountains.
Panorama of Moon and mountains.

Even if you are not a photographer, simply sitting down enjoying the beauty of the landscape, in complete silence, is a unique experience. I plan to return during springtime, when the rose gardens will be in bloom. This is one of the few remaining regions where the Damascus rose is still grown, for oil and water.

The Misty Mountains of Wakan

The small village of Wakan sits atop a hill, at the end of the Gubrah bowl, in the heart of the Jebel Akhdar mountains. During my first stay in Oman several years ago, this was one of my favorite places to visit; there are a few hiking trails in the area, and the views from above the village are stunning. The Gubrah bowl is literally a window into the (geological) past, as the erosion has carved out into the mountain range, resulting in a large flat area surrounded by tall and rugged peaks. The region is easily accessible, being less than a 2-hour drive from Muscat (see location map below).

Location map.

Even though the main road going through the Gubrah bowl is now blacktop, to reach Wakan you will need a 4WD vehicle, to negotiate the short but steep gravel road. Due to this limitation, the village is still relatively quiet, with a reduced number of tourists. For this visit, my plan was to walk the trail that starts in Wakan and climbs up the mountain, affording magnificent views over the mountains. The weather happened to be great, with a cloud cover that added an extra sense of mystery to the area. In my backpack, I had my usual Fujifilm kit of 2 cameras and 2 lenses, namely the X-T5 with the 16mm f/1.4 lens, and the X-T4 with the 56mm f/1.2 lens.

The village consists of a few houses, which are nested against cultivated terraced hills; people grow fruit trees (pomegranate, almond, peach, among others) and several types of cereals and vegetables. At an altitude of 1400m, the climate is cooler than in the valley below, and there is plenty of water that comes from the mountain through a network of falaj, or channels excavated in the rock.

Mountain’s gate. Approaching the entrance of Wadi Mistal.
Inside the Gubrah bowl.
On the road.
Surrounded by mists and mountains, Walkan sits at the top of a ledge (panorama assembled from several photos).

The first part of the hike is easy going, as you cross the village and the fields. The trees are showing the colors of Autumn, with rich oranges and reds. I stopped several times to take a few photos. The clouds and the mist add to the sense of quietness that emanates from the mountains. After a few hundred meters, the paved steps end, and you start walking along a narrow and rocky mountain trail, that has been used for centuries, as it connects Wakan to the Sayq Plateau, which is located higher, around 4 km away. Every now and then, I stop to take photos and enjoy the scenery. Sometimes the sun breaks through a gap in the clouds, shining upon the valley below.

Wakan from above, with the green fields and the Autumn colors.
Autumn colors.

The way is always up, but after a while the trail levels a bit, next to a huge cliff face. This is a good spot to rest and admire the view. This time, I decided to return to Wakan, rather than walking all the way to Sayq Plateau, which requires a bit more time. But even if you walk only up to this point, it is already a great experience.

On the trail.
Clinging to the rocks.
Fellow walkers.

Wahiba Sands

The Sharqiya Sands, also known as Wahiba Sands (named from the local tribe), are a desert with an area of around 12,500 km2. The desert was formed by a combination of south-western monsoon and northerly trade winds, forming long linear sand ridges that can reach to 100 m high. Located to the southeast of Muscat, they are easily accessible via a nice blacktop road, taking about a 2-hour drive. Below is a general location map.

Wahiba sands location map.

During my first stay in Oman, I used to visit the Wahibas regularly; there is something special about being in the desert, watching the sunset or sunrise, surrounded by complete silence. With the sun lower in the horizon, the shapes and patterns of the dunes are highlighted by the interplay of light and shadow. Sand colors are variable, from subdued yellows to rich orange and red. The last time I had visited the Wahibas was in 2009, so I did notice some changes after 14 years. Namely, the number of tourist camps has increased, and there is mobile network coverage. Even though the area is visited by many tourists, especially during the winter months, you can easily find a nice spot all for yourself. You can choose to book accommodation in one of the several desert camps, or simply camp on your own. The camps are always located in the interdune valleys, which are easy to drive to.

In terms of photography, I used my 2 cameras (Fujifilm X-T4 and X-T5) with 2 lenses (Fujinon 16mm f/1.4 and Voigtlaender 35mm f/1.2). The wide-angle saw a lot of use for large vistas and sand patterns, while the standard lens allowed me to shoot the more general subjects. As the sun is low in the horizon, it is necessary to work quickly, because the light changes fast. It is better to allow yourself some time in advance to climb the dunes and find a good spot. Wind can be a problem, as it carries sand everywhere; the sand is very fine and can adhere to your camera gear and tripod. I was careful to always replace the lens cap and store the gear in the backpack when moving between locations. This is normal procedure when shooting in this type of environment. And of course, the wind is what created the desert to begin with, so it comes with the territory.

After settling in, I went out for a photo walk at sunset, climbing the western dunes to reach a high location. Interesting vistas and subjects are everywhere, so I just kept shooting. There are plenty of patterns in the sand, and the rare green bush here and there. The experience of watching the sunset surrounded by all this natural beauty is unforgettable. At night I also carried out a session aiming at getting some nice star trails and Milky Way photos. The area was dark enough, even though there was light pollution coming in from the camp itself, and some vehicles driving through the valley.

The Arabian Oryx.
Desert panorama.
Desert sunset.
The Milky Way. 6 images stacked.
Star trail. 1 hour total time.

The following morning, I went out for a pre-sunrise walk; climbing the dunes, the sand was cold, as the temperature at night had dropped significantly. I kept photographing as the light slowly changed, painting the sand with soft colors, that became more intense as the sun climbed over the top of the opposite ridge. Again, it was magical simply to sit on the top of the dunes, watching Nature’s beauty unfolding in front of me. It was wonderful to go back to the Wahibas after 14 years.

Dawn in the dunes.
Textures.
Soft tones.
Sunrise.
Ripples and shadows.
Pyramid. #1.
Pyramid #2.

Mutrah Fish Market, Muscat

A visit to the fish market in Mutrah is one of the best ways to experience the local hustle and bustle, as the fishermen arrive in their boats, bringing their catch. You need to arrive at dawn, because the activities start very early in the day. It is interesting to see the fish being unloaded and carried into the nearby market building; or simply being sold right there on the spot, as restaurant owners come by to negotiate.

As a photographer, it is a place full of opportunities, and I simply walked around for a while with camera in hand, greeting people along the way. I find it a good approach to be nice and open about what I am planning to do, which is take photos. After a while, nobody pays me any attention anymore. For this visit, I used the Fujifilm X-T4 and the Voigtlaender X 35mm f/1.2 lens, which is manual focus. I like this lens very much, it is small and manual focusing is a breeze.

On the pier.
Business.
Resting.
Bringing the fish.
Seller.
Milk!

Back in Oman

After 14 years, I am working in Oman again, and living in Muscat, the capital of this beautiful country. Even though there are more buildings, roads, and development, the unique cultural heritage of a romantic Arabia is still very much present in the old forts, markets, countryside, and of course its friendly people.

This set of photos was taken during a very early visit to the old part of Muscat, along the shoreline and Mutrah Corniche, with the old Portuguese forts surveilling the sea. I am looking forward to revisit some familiar places in the mountains and deserts, while finding new ones.

Note: photos were taken with Fujifilm X-T4 and X-T5 cameras, plus Fujinon 16mm f/1.4 and 56 f/1.2 lenses.

Tranquility.
Fort at dawn.
Mutrah Corniche panorama.
Enjoying the view.
Arrival.
Top of the hill.
Mutrah Corniche.

Mutrah souk with ZEISS Loxia 50 lens

I have recently travelled to Muscat, Oman, on a business trip. On such trips, I always try to find some time for photography, especially in such an interesting location. I know the country very well, because I worked and lived there for a few years. Muscat, in spite of all the developments in roads and housing, still keeps its own special charm, so to speak. The city’s mountainous background, its old quarters and traditions, and the hospitable Omanis, make for a unique combination that keeps me coming back whenever possible.

On such occasions, when I can only dedicate a few hours to photography, I profit from my previous knowledge and go straight to the places that I find more interesting; like the Mutrah Corniche, and the nearby Souk. I also prefer to carry only a small camera and lens, to favour mobility and to avoid looking conspicuous. My approach is simply to shoulder the camera, mingle with the folks, wait for something interesting to happen, and shoot away. My Sony A7II and ZEISS Loxia 50 f/2 lens allow me to do this in a most efficient way; the combination is light and reliable, goes unnoticed,  and delivers time after time. After a while of walking in the souk, people do not pay me attention anymore. the lens’ aperture and manual focus rings allow me to pre-set the shot as I deem appropriate, so that I can concentrate on what is happening around me.

I leave you with some photos taken close to sunset and at dusk, in a pleasant February evening.

Feeding the gulls
Feeding the gulls

Incense smoke
Incense smoke

All eyes on us
All eyes on us

Mutrak souk
Mutrak souk

Alley
Alley

Pots & pans
Pots & pans

Fruit sellers in Mutrah souk
Fruit sellers in Mutrah souk

Mutrah Corniche
Mutrah Corniche

Mutrah Corniche at dusk
Mutrah Corniche at dusk

Fujifilm X100T in Muscat, Oman

For my first post of 2017, I have chosen images taken during a recent trip to Muscat.

All photographers like to have a small, yet high quality camera with them, and the Fuji X100 series of cameras no doubt is the choice of many. Now in its 4th generation (with the X100F), this camera caused quite a stir when it was launched about 6 years ago; combining (retro) good looks, a hybrid viewfinder (OVF and EVF), and a fixed lens with a focal length that is a favourite of many street photographers, it provides a fantastic package.

Whenever I travel to Muscat (a favourite place of mine), I always carry a small camera with me, in case I have some free time. This last time, it was the X100T, which can be found at a good used price, now that the X100F is out. One of my favourite places to visit in Muscat is the Mutrah area, with the nice Corniche bordering the sea, the lively souk, and the picturesque surround hills. There is a well sign-posted small trek that one can do in these hills, starting near the Incense Burner roundabout; from there, it is a short climb to the top of the hills, where there is a nice view of the Mutrah bay.

I was fortunate to have a spare (weekend) morning, so I went up there to photograph the full Moon setting in the West. The weather slightly hazy, which added to the smooth early morning light. The X100T is incredibly easy to use; I mostly use it in aperture priority mode, sometimes in manual mode too. Together with a table tripod, I could shoot 5 and 6 second exposures during the “blue hour” before sunrise.

Later, I went for a walk in the beach, where hundreds of people gather at dusk to play football, and to relax with their families. Again, the little X100T was with me, allowing me to photograph in a discrete way. This camera provides a simple control layout, and delivers high quality images. Even my teenage daughter commented on how “nice it looks”, so for sure Fujifilm are on to something…

 

Moonset over Mutrah
Moonset over Mutrah

On the beach #1

 

On the beach #2
On the beach #2

Incense Burner sunrise

 

Zeiss Loxia 21 in Muscat, Oman

I visit Muscat around twice a year, on business, and I always take the opportunity to go back to some of the places that have stayed in my memory from when I lived there. For example, I like to go to Mutrah to walk around in the souk and the Corniche at sunset; or go to the Grand Mosque to try and find some new angle. This is not easy for me, as the free time is not much, and I photographed these places many times before.

So for this trip I planned something different, I would only take one lens, the Zeiss Loxia 21 f2.8, mounted on the Sony A7. I also took a small travel tripod, as exposure times would be long. My idea was to visit the Mutrah souk, place the tripod on a busy lace, and shoot around. This would be a great testing ground for this lens. I shoot a lot of travel and people, but using a 21mm lens only was a first for me. It would also be challenging, as 21mm includes a lot in the frame, so getting good and clean compositions is not easy.

From my previous experiences in Muscat, and in Oman, people are really very friendly and are not camera shy; but how would they react to a foreigner shooting off a tripod in the middle of the souk? Well, I had no problems whatsoever, and even showed the results to a few passers-by. Also, there was a local photographer doing the same thing, but using a much larger tripod and camera/lens combination!

Thus encouraged, I just walked along the familiar narrow alleyways, setting up the tripod on an interesting place, and waiting for someone to go by. I am happy with the results, as the ambiance of the place is perfectly reproduced, and the people are registered in a ghostly fashion, adding mystery to the scene.

As for the visit to the Grand Mosque, it was a short one at the end of the day, and I came away with interesting shots of the large dome’s reflection in the marble floor. At this time of the day, the Mosque is closed to visitors, so I merely wandered around trying to shoot interesting angles. In the end, I was happy to have captured some new points of view, by setting the camera on the ground, or by placing the tripod ill-balanced on the fence. It was a bit of a frantic session, with lots of running around, as the blue hour does not last much.

As for the lens, it performed admirably. I would just use say f5.6 or f8, pre-focus, wait for something to happen, and shoot. Plus, no other lens maker does stars like Zeiss! Great contrast, and beautiful colour reproduction too. A winner of a lens.

Mutrah corniche
Mutrah corniche

Mutrah souk
Mutrah souk

Mutrah souk
Mutrah souk

Mutrah souk
Mutrah souk

Mutrah corniche
Mutrah corniche

Mutrah corniche
Mutrah corniche

Grand Mosque sunset
Grand Mosque sunset

Grand Mosque
Grand Mosque

Grand Mosque blue hour
Grand Mosque blue hour

Grand Mosque blue hour
Grand Mosque blue hour

Some black and white images from Oman

This post is more or less a continuation of the last one, in the sense that the photos were taken during the same trip to Muscat, Oman. However, this time I want to describe how I came about making these images, and how they ended up like this, in black and white.

The first two photos were taken just outside my hotel, in a seaside walk that is flanked by some trees. On a late night walk, I noticed that some trees were in bloom (the frangipanis), and I imagined that they would make some interesting subjects at dawn. So I planned accordingly, and the next morning I woke up early and went out shooting. As a bonus, the sky was stormy and the light soft, providing and interesting background. I immediately thought that I had good material for black and white images. I ended up with a composition showing the whole tree, and another one showing branches “reaching” into the sky, and into each other. Some quick adjustments in Silver Effex, and all was done.

For the next pair, the story was different. These were taken in Wadi Bani Kharus, during a geological field trip in the mountains. I was excited to be back in an area that I know very well, having lived in Oman for 7 years. In terms of landscape, the Oman Mountains provide some of the most picturesque and rough scenery, almost primeval in character. It was late afternoon when we parked our vehicles near a small village. The houses hugging the mountainside, and the ridges against the sky, made for a very typical shot. On the way out, we caught the last rays of sunshine filtering through the haze, and silhouetting the ridges; to somehow enhance the primeval feel of the instant, I opted for an antique plate effect for the black and white conversion.

Looking at the images, they remind me of what it felt like taking that morning stroll, or being inside the mountain range.

The tree
The tree

muscat_16_3_16_40_bw_net

Village
Village

Ridges
Ridges

 

The ZEISS FE 35mm f2.8 lens in Muscat, Oman

Traveller photographers are always searching for the best/lightest/smallest camera and lens combination, without compromising on performance and image quality. In this regard, the introduction of so-called mirroless systems has brought many valid options. From very early on, the Sony Alpha 7 system has offered such a combination, with the possibility of matching the small cameras with small high performing lenses such as the FE 35 f2.8 and FE 55 f1.8.

In this article, I would like to share my experience of using the FE 35 f2.8 lens in a recent business trip I took to Muscat, Oman. This is really diminutive lens, and it comes with the famous ZEISS logo on its barrel; it also comes with the concomitant price, which is arguably higher than normal for (slow) f2.8 prime lenses. This relative high cost was what initially put me off the lens. But after reading some reviews and testimonials of other photographers, I finally managed to borrow one copy and use it myself. From what I was reading, this little lens was a high performer indeed.

So I ended up in one of my favourite places in Muscat, the Mutrah Corniche and Souk. This is a lively place, with all the merchant stalls, smell of incense burning, spices, textiles, and all other sorts of articles. It is also a place where light levels are somewhat low, and where there are also some high contrast scenes of light and dark areas. Now, I do like the Loxia 35, but sometimes I need auto-focus for quick-shooting, or shooting from the hip.

The little FE 35 f2.8 lens performed without a fault, both mechanically and optically. I was mostly shooting between f4 and f8, with auto-ISO taking care of the rest. There is some light fall off wide open, but this can be easily taken care of during Raw developing. The lens is very sharp, and maintains excellent performance levels into the corners and edges of the frame.

So what is not to like? Well, photographers always prefer faster apertures; as I wrote above, f2.8 in a prime lens is perceived as “slow”. Thus, enter f1.4 and f2 lenses; Sony has a 35 f1.4 lens (also with ZEISS logo), which is top quality, but much bigger and even more expensive. ZEISS has the aforementioned Loxia 35 f2, but this one is manual focus and more expensive too. I think there might be a slot for an auto-focus 35 f2 lens?

In the end, the little FE 35 f2.8 lens is a great option for an A7 camera, it makes perfect sense as a reportage/travel lens. Combined with the excellent high ISO performance of the sensor, f2.8 is not really that limiting. Of course, there are situations where we may need to combine high ISO, f1,4 or f2, to get the shot. For those situations, there is the FE 35 f1.4 lens. For the rest, the FE 35 f2.8 is surely more than enough, and one hardly notices it is mounted on the camera.

Relaxing
Relaxing

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Working

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Colours

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In the souk

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The shop

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Choices

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The bag

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Smell the incense

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House and fort

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Going down

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Going up

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Fishing

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Waiting

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Souvenirs

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Red power

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Underneath

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Repairs

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The smile