Oman – Page 3 – PauloBizarroPHOTOBLOG

Wahiba Sands

The Sharqiya Sands, also known as Wahiba Sands (named from the local tribe), are a desert with an area of around 12,500 km². The desert was formed by a combination of south-western monsoon and northerly trade winds, forming long linear sand ridges that can reach to 100 m high. Located to the southeast of Muscat, they are easily accessible via a nice blacktop road, taking about a 2-hour drive. Below is a general location map.

During my first stay in Oman, I used to visit the Wahibas regularly; there is something special about being in the desert, watching the sunset or sunrise, surrounded by complete silence. With the sun lower in the horizon, the shapes and patterns of the dunes are highlighted by the interplay of light and shadow. Sand colors are variable, from subdued yellows to rich orange and red. The last time I had visited the Wahibas was in 2009, so I did notice some changes after 14 years. Namely, the number of tourist camps has increased, and there is mobile network coverage. Even though the area is visited by many tourists, especially during the winter months, you can easily find a nice spot all for yourself. You can choose to book accommodation in one of the several desert camps, or simply camp on your own. The camps are always located in the interdune valleys, which are easy to drive to.

In terms of photography, I used my 2 cameras (Fujifilm X-T4 and X-T5) with 2 lenses (Fujinon 16mm f/1.4 and Voigtlaender 35mm f/1.2). The wide-angle saw a lot of use for large vistas and sand patterns, while the standard lens allowed me to shoot the more general subjects. As the sun is low in the horizon, it is necessary to work quickly, because the light changes fast. It is better to allow yourself some time in advance to climb the dunes and find a good spot. Wind can be a problem, as it carries sand everywhere; the sand is very fine and can adhere to your camera gear and tripod. I was careful to always replace the lens cap and store the gear in the backpack when moving between locations. This is normal procedure when shooting in this type of environment. And of course, the wind is what created the desert to begin with, so it comes with the territory.

After settling in, I went out for a photo walk at sunset, climbing the western dunes to reach a high location. Interesting vistas and subjects are everywhere, so I just kept shooting. There are plenty of patterns in the sand, and the rare green bush here and there. The experience of watching the sunset surrounded by all this natural beauty is unforgettable. At night I also carried out a session aiming at getting some nice star trails and Milky Way photos. The area was dark enough, even though there was light pollution coming in from the camp itself, and some vehicles driving through the valley.

The following morning, I went out for a pre-sunrise walk; climbing the dunes, the sand was cold, as the temperature at night had dropped significantly. I kept photographing as the light slowly changed, painting the sand with soft colors, that became more intense as the sun climbed over the top of the opposite ridge. Again, it was magical simply to sit on the top of the dunes, watching Nature’s beauty unfolding in front of me. It was wonderful to go back to the Wahibas after 14 years.

Mutrah Fish Market, Muscat

A visit to the fish market in Mutrah is one of the best ways to experience the local hustle and bustle, as the fishermen arrive in their boats, bringing their catch. You need to arrive at dawn, because the activities start very early in the day. It is interesting to see the fish being unloaded and carried into the nearby market building; or simply being sold right there on the spot, as restaurant owners come by to negotiate.

As a photographer, it is a place full of opportunities, and I simply walked around for a while with camera in hand, greeting people along the way. I find it a good approach to be nice and open about what I am planning to do, which is take photos. After a while, nobody pays me any attention anymore. For this visit, I used the Fujifilm X-T4 and the Voigtlaender X 35mm f/1.2 lens, which is manual focus. I like this lens very much, it is small and manual focusing is a breeze.

Back in Oman

After 14 years, I am working in Oman again, and living in Muscat, the capital of this beautiful country. Even though there are more buildings, roads, and development, the unique cultural heritage of a romantic Arabia is still very much present in the old forts, markets, countryside, and of course its friendly people.

This set of photos was taken during a very early visit to the old part of Muscat, along the shoreline and Mutrah Corniche, with the old Portuguese forts surveilling the sea. I am looking forward to revisit some familiar places in the mountains and deserts, while finding new ones.

Note: photos were taken with Fujifilm X-T4 and X-T5 cameras, plus Fujinon 16mm f/1.4 and 56 f/1.2 lenses.

Mutrah souk with ZEISS Loxia 50 lens

I have recently travelled to Muscat, Oman, on a business trip. On such trips, I always try to find some time for photography, especially in such an interesting location. I know the country very well, because I worked and lived there for a few years. Muscat, in spite of all the developments in roads and housing, still keeps its own special charm, so to speak. The city’s mountainous background, its old quarters and traditions, and the hospitable Omanis, make for a unique combination that keeps me coming back whenever possible.

On such occasions, when I can only dedicate a few hours to photography, I profit from my previous knowledge and go straight to the places that I find more interesting; like the Mutrah Corniche, and the nearby Souk. I also prefer to carry only a small camera and lens, to favour mobility and to avoid looking conspicuous. My approach is simply to shoulder the camera, mingle with the folks, wait for something interesting to happen, and shoot away. My Sony A7II and ZEISS Loxia 50 f/2 lens allow me to do this in a most efficient way; the combination is light and reliable, goes unnoticed, and delivers time after time. After a while of walking in the souk, people do not pay me attention anymore. the lens’ aperture and manual focus rings allow me to pre-set the shot as I deem appropriate, so that I can concentrate on what is happening around me.

I leave you with some photos taken close to sunset and at dusk, in a pleasant February evening.

Fujifilm X100T in Muscat, Oman

For my first post of 2017, I have chosen images taken during a recent trip to Muscat.

All photographers like to have a small, yet high quality camera with them, and the Fuji X100 series of cameras no doubt is the choice of many. Now in its 4^th generation (with the X100F), this camera caused quite a stir when it was launched about 6 years ago; combining (retro) good looks, a hybrid viewfinder (OVF and EVF), and a fixed lens with a focal length that is a favourite of many street photographers, it provides a fantastic package.

Whenever I travel to Muscat (a favourite place of mine), I always carry a small camera with me, in case I have some free time. This last time, it was the X100T, which can be found at a good used price, now that the X100F is out. One of my favourite places to visit in Muscat is the Mutrah area, with the nice Corniche bordering the sea, the lively souk, and the picturesque surround hills. There is a well sign-posted small trek that one can do in these hills, starting near the Incense Burner roundabout; from there, it is a short climb to the top of the hills, where there is a nice view of the Mutrah bay.

I was fortunate to have a spare (weekend) morning, so I went up there to photograph the full Moon setting in the West. The weather slightly hazy, which added to the smooth early morning light. The X100T is incredibly easy to use; I mostly use it in aperture priority mode, sometimes in manual mode too. Together with a table tripod, I could shoot 5 and 6 second exposures during the “blue hour” before sunrise.

Later, I went for a walk in the beach, where hundreds of people gather at dusk to play football, and to relax with their families. Again, the little X100T was with me, allowing me to photograph in a discrete way. This camera provides a simple control layout, and delivers high quality images. Even my teenage daughter commented on how “nice it looks”, so for sure Fujifilm are on to something…

Zeiss Loxia 21 in Muscat, Oman

I visit Muscat around twice a year, on business, and I always take the opportunity to go back to some of the places that have stayed in my memory from when I lived there. For example, I like to go to Mutrah to walk around in the souk and the Corniche at sunset; or go to the Grand Mosque to try and find some new angle. This is not easy for me, as the free time is not much, and I photographed these places many times before.

So for this trip I planned something different, I would only take one lens, the Zeiss Loxia 21 f2.8, mounted on the Sony A7. I also took a small travel tripod, as exposure times would be long. My idea was to visit the Mutrah souk, place the tripod on a busy lace, and shoot around. This would be a great testing ground for this lens. I shoot a lot of travel and people, but using a 21mm lens only was a first for me. It would also be challenging, as 21mm includes a lot in the frame, so getting good and clean compositions is not easy.

From my previous experiences in Muscat, and in Oman, people are really very friendly and are not camera shy; but how would they react to a foreigner shooting off a tripod in the middle of the souk? Well, I had no problems whatsoever, and even showed the results to a few passers-by. Also, there was a local photographer doing the same thing, but using a much larger tripod and camera/lens combination!

Thus encouraged, I just walked along the familiar narrow alleyways, setting up the tripod on an interesting place, and waiting for someone to go by. I am happy with the results, as the ambiance of the place is perfectly reproduced, and the people are registered in a ghostly fashion, adding mystery to the scene.

As for the visit to the Grand Mosque, it was a short one at the end of the day, and I came away with interesting shots of the large dome’s reflection in the marble floor. At this time of the day, the Mosque is closed to visitors, so I merely wandered around trying to shoot interesting angles. In the end, I was happy to have captured some new points of view, by setting the camera on the ground, or by placing the tripod ill-balanced on the fence. It was a bit of a frantic session, with lots of running around, as the blue hour does not last much.

As for the lens, it performed admirably. I would just use say f5.6 or f8, pre-focus, wait for something to happen, and shoot. Plus, no other lens maker does stars like Zeiss! Great contrast, and beautiful colour reproduction too. A winner of a lens.

Some black and white images from Oman

This post is more or less a continuation of the last one, in the sense that the photos were taken during the same trip to Muscat, Oman. However, this time I want to describe how I came about making these images, and how they ended up like this, in black and white.

The first two photos were taken just outside my hotel, in a seaside walk that is flanked by some trees. On a late night walk, I noticed that some trees were in bloom (the frangipanis), and I imagined that they would make some interesting subjects at dawn. So I planned accordingly, and the next morning I woke up early and went out shooting. As a bonus, the sky was stormy and the light soft, providing and interesting background. I immediately thought that I had good material for black and white images. I ended up with a composition showing the whole tree, and another one showing branches “reaching” into the sky, and into each other. Some quick adjustments in Silver Effex, and all was done.

For the next pair, the story was different. These were taken in Wadi Bani Kharus, during a geological field trip in the mountains. I was excited to be back in an area that I know very well, having lived in Oman for 7 years. In terms of landscape, the Oman Mountains provide some of the most picturesque and rough scenery, almost primeval in character. It was late afternoon when we parked our vehicles near a small village. The houses hugging the mountainside, and the ridges against the sky, made for a very typical shot. On the way out, we caught the last rays of sunshine filtering through the haze, and silhouetting the ridges; to somehow enhance the primeval feel of the instant, I opted for an antique plate effect for the black and white conversion.

Looking at the images, they remind me of what it felt like taking that morning stroll, or being inside the mountain range.

The ZEISS FE 35mm f2.8 lens in Muscat, Oman

Traveller photographers are always searching for the best/lightest/smallest camera and lens combination, without compromising on performance and image quality. In this regard, the introduction of so-called mirroless systems has brought many valid options. From very early on, the Sony Alpha 7 system has offered such a combination, with the possibility of matching the small cameras with small high performing lenses such as the FE 35 f2.8 and FE 55 f1.8.

In this article, I would like to share my experience of using the FE 35 f2.8 lens in a recent business trip I took to Muscat, Oman. This is really diminutive lens, and it comes with the famous ZEISS logo on its barrel; it also comes with the concomitant price, which is arguably higher than normal for (slow) f2.8 prime lenses. This relative high cost was what initially put me off the lens. But after reading some reviews and testimonials of other photographers, I finally managed to borrow one copy and use it myself. From what I was reading, this little lens was a high performer indeed.

So I ended up in one of my favourite places in Muscat, the Mutrah Corniche and Souk. This is a lively place, with all the merchant stalls, smell of incense burning, spices, textiles, and all other sorts of articles. It is also a place where light levels are somewhat low, and where there are also some high contrast scenes of light and dark areas. Now, I do like the Loxia 35, but sometimes I need auto-focus for quick-shooting, or shooting from the hip.

The little FE 35 f2.8 lens performed without a fault, both mechanically and optically. I was mostly shooting between f4 and f8, with auto-ISO taking care of the rest. There is some light fall off wide open, but this can be easily taken care of during Raw developing. The lens is very sharp, and maintains excellent performance levels into the corners and edges of the frame.

So what is not to like? Well, photographers always prefer faster apertures; as I wrote above, f2.8 in a prime lens is perceived as “slow”. Thus, enter f1.4 and f2 lenses; Sony has a 35 f1.4 lens (also with ZEISS logo), which is top quality, but much bigger and even more expensive. ZEISS has the aforementioned Loxia 35 f2, but this one is manual focus and more expensive too. I think there might be a slot for an auto-focus 35 f2 lens?

In the end, the little FE 35 f2.8 lens is a great option for an A7 camera, it makes perfect sense as a reportage/travel lens. Combined with the excellent high ISO performance of the sensor, f2.8 is not really that limiting. Of course, there are situations where we may need to combine high ISO, f1,4 or f2, to get the shot. For those situations, there is the FE 35 f1.4 lens. For the rest, the FE 35 f2.8 is surely more than enough, and one hardly notices it is mounted on the camera.

muscat_16_3_16_14_net — Smell the incense

The Mutrah Souk in Muscat, Oman

The Mutrah souk in Muscat is one of the mandatory places to go for visitors. It is a very traditional place, with various shops lining the narrow alleyways. It is actually quite small, but still one can feel “lost” inside, due to the narrowness of the streets, and the ambience inside: traditional fares like incense and spices are available, as well as all other types of products. Be sure to visit one of the juice stands for a really good natural fruit juice, or the more traditional teas and samosas.

Less known to visitors are the streets located just a stone throw’s away from the more commercial streets; in here it is possible to find busy men unloading merchandise for their shops, and traditionally decorated wood and steel doors. Away from the hustle and bustle of the commercial activity, I was able to concentrate on capturing some of the “flavour” of the souk, the details that often go unnoticed.

In this regard, the Sony A7II and Zeiss C Sonnar f1.5 50mm lens are a wonderful combination, for this more contemplative type of photography. Having visited this place so many times before, this time I wanted to obtain some different results, other than the more “normal” shots inside the souk proper.

The Grand Mosque of Muscat, Oman

The Grand Mosque in Muscat (Oman) is one of the “must see” spots of the city. The best times to photograph are at dawn and dusk, but these do not overlap with public visiting hours (8 – 11 am). So, when the light is more interesting, you are limited to take photos from the outside; this is still interesting, and makes for some nice photographs.

To photograph the interior of the Mosque, as well as its environs (gardens and surrounding complex), it is better to arrive at 8 am, to still have some interesting light (during winter), and avoid the crowds. Inside the Mosque, there is a pathway that you must follow, but still, some interesting photos can be taken. Also worth documenting are the various archways (which provide interesting viewpoints) and the several styles of ceramic tiles. It makes for a very interesting learning and photographic experience. A wide angle lens, or wide angle zoom, is recommended to photograph the Mosque.

At the end of the day, you can then relax and unwind in the beach front of the city, even trying your luck at football!