Sunset at Guincho, Cascais

This short essay follows on the footsteps of previous ones, describing another “quick photo outing near home during confinement“. This time, after finishing my working day, I went to Guincho beach, a few kilometres after the town of Cascais. This beach lies inside one of the most touristic areas in the Lisbon region, because it is located between Cascais and Sintra.

After leaving Cascais, the road stretches along a wind-beaten coastline, where the strong ocean surf keeps eroding the limestone rocks. There are several dune fields, covered by low lying vegetation that clings to the ground. Because of the constant wind and strong waves, Guincho is very popular with surfers. Normal beach going people should beware the dangerous currents and strong sea.

This character is partly due to the beach being open to the westerly winds, but also to the presence of the serra de Sintra, a large geologic igneous massif that dominates the landscape to the North. This mountain creates a barrier to the humid air coming in from the Atlantic, generating an almost perennial cloud cover along the coast of the region. In clear days, from the beach, it is possible to see the Cabo da Roca lighthouse (the westernmost point of continental Europe) and the Pena palace.

Several years had passed since my last time visiting the beach, so it was nice to go back. After parking the car, I walked down to the beach to find a good spot and proceeded to make several photos. As the sunset approached, the light was changing very fast; for the last few photos, the light level was low enough to allow exposure times around 1 second, which smoothed the water a little. My photo kit for this little trip was quite simple, consisting only of the Fujifilm X-Pro3 camera, Fujinon 23mm f/2 lens, and a small tripod. Once again, I felt thankful to be able to visit such beautiful places not very far from where I live, which helps to endure this pandemic crisis.

Stay safe everyone.

Crismina beach, just before Guincho.
Guincho and serra de Sintra.
Sunset.
Sea and clouds.
Smoother.

The Fujifilm X-Pro3 – a (re)statement

It is very rare for me to write in any detail about photographic gear, for several reasons. The main ones being that in recent years, cameras and lenses are so good, and the choice is so much, that there are plenty of options for everybody who enjoys photography as a hobby. For the last 3 years, I have been using the Fujifilm X system, because it provides many right things that I find important for my photography. My first experience with the system happened around 2013, so it is not new to me.

The X-Pro series has always been a very special statement from Fujifilm, with its unique “old school rangefinder appeal” design: optical viewfinder in the corner (which is hybrid, meaning it can be used as an electronic one also), several buttons and dials for direct control, and robust construction, just to name a few. The camera was a success, and two more versions have followed, the most recent one being the X-Pro3. At the core, they all remain similar in their design as a tactile camera that is a pleasure to use. Coupled with some of the available small prime lenses, such as the 16mm f/2.8, 23mm f/2, 35mm f/2, and 50mm f/2, it is a camera that just begs to be used.

Classy camera (photos from https://www.dpreview.com/reviews/fujifilm-x-pro3-review).

I have been using the camera for a while, mainly around my neighborhood, given the ongoing Covid-19 confinement in Portugal. Sill, I live near Carcavelos beach, which provides excellent opportunities for interesting photos. Thus, the other day I picked up the camera with the 50mm f/2 lens, plus the tripod, and went to the beach. The weather was good, late afternoon with some sun and clouds. As usual, there were many surfers and some people simply enjoying a seaside stroll.

Cross.
The fort of Carcavelos.
Black and white version. Acros Red film simulation.

I used the tripod for most of the photos, because that is a habit of mine. It helps me to concentrate on the composition. The other aspect of the camera that I like is the way the screen operates; when not in use, it is hidden from view, and it may seem that is even missing. The screen is there, but it needs to be tilted down to be used, and that is the only option available. For the way I shoot, this is brilliant: when shooting handheld I do not need to see the screen, and when using the tripod, I merely fold the screen down. When the main screen is closed, Fujifilm added another extra classy detail, in the shape of a small screen that can mimic the slot where in film cameras people would place the little square with the film type reminder.

Walking near the sea, with the camera on the tripod, I simply kept shooting when I saw an interesting scene. Even with the (small) tripod near me, the camera and lens did not caught any attention from other people. I already had that experience when using the X100 (another retro design camera); people think I am using an older film camera. The focal length I had with me, 50mm, works out nicely to keep some distance between my and my subject, but not too much.

Carcavelos beach.
Strolling.
Surf time.
Surfers.
Waiting.
Beach and sky.

In the next few days, and with the rumors that the confinement rules will start to be lifted, I intend to use the camera a bit more. But so far, my opinion is that the camera continues to marry a brilliant design with a lot of technology, resulting in a mature camera that is quintessential Fuji. A design that (re)states its commitment to photography and photographers.

Close to home

After one month under confinement due to the third wave of the pandemic in Portugal, and with probably another month to go, it has been difficult to make any sort of photography. Compounding this, the weather has been bleak, with overcast skies and lots of rain. Still, I periodically check the weather and tide forecasts, for possibilities near my home.

Because I live near the coast on the outskirts of Lisbon, in Carcavelos, there are several beaches within walking distance of my house. A few days ago, I finally had the chance to make a small outing and take some photos during the sunset. The location is about 3 km from home, where one small creek reaches the ocean, with the water dropping off the cliffs. This is the ribeira de Caparide, and due to the recent rain, there was plenty of flowing water.

After finishing work, I simply packed my camera, lens, and tripod, and walked to this location. The weather was finally nice, with wispy clouds. The sea was still rough from a recent depression, with waves crashing against the cliffs. The coastline here has a rocky nature, which results in an interesting scenery. After reaching the place, I walked around a little, looking for possible places to set up the tripod. I tried some long exposures, but I also wanted to photograph the waves as they crashed against the rocks, casting out a good amount of spray.

It was quite good to be simply out of the house doing some photography. It helps me to keep my spirit doing these difficult times. As for gear, these photos were made with the Fujifilm X-S10 and Fujinon 16mm f/1.4 lens.

Stay safe everyone!

Falling over.
Crashing.
Waves,
Sunset coast, with Cascais in the background.
Until tomorrow.
Flowing.

2020 – a year in images

As I remember 2020, it is impossible to avoid Covid – 19. One year ago, I was busy planning a family trip to the north of Portugal, specifically to the village of Vila Nova de Foz Côa, where my grandparents (on my father side) lived the better part of their lives. I had not been there for 20 years, and I wanted to go back; I have fond memories of childhood vacations spent there. In those times, just to get there it would take almost one day.

It was a wonderful trip, as we visited the region for 4 days, including guided visits to the Paleolithic Rock Art World Heritage sites; admiring the vistas along the rivers Côa and Douro, where decades of landscaping have resulted in another type of heritage, in the form of terraced vineyards. Standing on the top of a cliff, it is possible to admire the views of the river valleys, with the hills covered in vineyards, olive trees, and almond trees. In late February, the almond trees are in bloom, adding a feel of magic to the landscape.

Dawn over the river Côa.
Almond blossoms.
Paleolithic rock art, Penascosa site.

Then in early March the first cases of Covid were detected in Portugal, and the rest is history, as they say. During the first lockdown period between March and May, I managed to photograph near my place, in Carcavelos, where we have a nice beach. It was good to still be able to go out during sunrise and do some photography.

Pool reflection, Carcavelos at sunrise.

Even with all the strange conditions, there was a sense of (some) normalcy during late Spring and Summer. Not much time for travel or vacations, of course, but I can always find a little time for photography in southwest Portugal. It was interesting, after many weeks of restrictions, to be able to return to this area I know so well. I went back to some of my favorite places, like Almograve, Vila Nova de Milfontes, Odemira and Cabo Sardão, and came away with a refreshed spirit.

Geologic record, near Cabo Sardao lighthouse.
Milfontes moon set.

In early October, the second (and then) third waves of the Covid pandemic were still far away, so it was possible to walk some trails of the Vicentina route in the Odemira municipality. These are always great opportunities to get in contact with Nature and traditional economic activities in the interior of the region.

Green and blue.
Along the road.

Whenever it was possible, I would “escape” to my house in Longueira for the weekend, accommodating a little bit of time for photography.

Autumn sunset in Milfontes.
Cliffs at sunset.
Dawn in Almograve.

The year finished more or less like it had started, with a short visit to a cultural heritage site, this time in the land of the Templars in central Portugal – Tomar and Dornes.

Dornes.

Given the very difficult year that 2020 was, and the challenges it brought, I am glad for all the photos I was able to make, and I can only hope that things will improve for everybody.

Stay safe and healthy.

Signs of hope.

First trail in 2021- Santa Clara-a-Velha, Odemira

As I described in my previous essay, I spent the second weekend of January in the village of Longueira, on the Alentejo coast. I had the opportunity to make my first trail of this year in the Santa Clara-a-Velha region, in the interior of Odemira municipality. One of the highlights of this area is the large dam that exists near the village, which was built more than 50 years ago. I wrote about it in a post from 2019:

This particular trail is number 13 in the list of circular paths that belong to the Rota Vicentina. The full details can be found in the respective website:

https://rotavicentina.com/en/trilhos/santa-clara-to-the-lake/

Location map. The trail is the one on the right hand side of the map.

Whilst revisiting my records, I actually found out that this was the first trail I did in the region, back in February 2018. Since then, I have walked many more of them, but I have a fond memory of this one. Thus, 3 years later, I found myself again in a very cold morning in Santa Clara-a-Velha. After having a hot coffee in the local café to warm up a little bit, I started the walk near the church. With the typical white and strong blue colours of the Alentejo, the church was built in the 16th century. It was open, so I went to inside to admire the religious golden woodwork.

Inside Santa Clara-a-Velha church.
Inside Santa Clara-a-Velha church.

This interior region is already isolated and scarcely populated. The local economy, based on agriculture, cattle, and some tourism, has been severely impacted by the Covid-19 crisis. Hopefully all this will go away soon and people can return to appreciate the tranquility and the beauty of the area. After leaving the church, the path is parallel to the Mira river, following its northern bank. Because of the dam, which is upstream, the water is really quiet. The previous night was very cold, with freezing temperatures; as a consequence, there is heavy frost on the ground, with plants covered in ice crystals. I make some interesting photos along the way.

River Mira in Santa Clara-a-Velha.
Down by the river.
Farm along the trail.
Frozen field.
Frosted leaves.
Frosted leaves.

The first interesting stop is near the medieval Dona Maria bridge. The structure is not complete today, but it is possible to admire two large remaining arches. Again, a nice stop to make some photographs of the scenery. Continuing along the trail, the next few kilometres are a leisurely walk that follows the valley, surrounded by hills and agricultural fields and farms. This is a pleasant walk, enjoying the sunshine to warm up. After a while, we reach the bottom of the dam, a near vertical wall of rock. This is the first steep climb of the trail, but at the top we are rewarded by the magnificent view of the great blue lake. For those that want to spend a few more days exploring the region, there is a nice hotel that overlooks the lake.

Medieval bridge.
Old water well.
Along the trail, with the hotel at the top.
Wall.

I have seen this view many times before, but I am always impressed. Today, the strong blue colour of the sky and the water, surrounded by green vegetation and the earthly yellow and brown, result in a strong palette. From the wall, the path continues along the margin of the lake. There are several nice spots for a swim, should you be here in a warmer season. In fact, I normally come here during the summer. Today, I stop to rest a bit and have a picnic lunch. The wind is picking up, which enhances the cold even more.

View of the Santa Clara-a-Velha dam and lake.
Blowing in the wind.

The path is well marked and is easy to follow. After a while, there is a sharp turn to the left (west), and we face the second steep climb of the trail, which reaches the top of the hill. From this vantage point, the view is panoramic, over the surrounding mountains. It is possible to see a few isolated farm houses. To the south, the heights of the Serra de Monchique (the second highest mountain in continental Portugal) dominate. This is a part of the trail that I particularly enjoy, due to the rugged landscape. From here, the final leg of the journey is basically all the way down, back to Santa Clara-a-Velha.

Mountains along the trail. Monchique is the highest one on the horizon, on the left hand side.
Farm along the trail.
Back in Santa Clara-a-Velha.

Concerning photo gear on this walk, I merely carried the Fujifilm X-S10 (nice small camera indeed), plus the small Fujinon 23mm f/2 lens. I have also used a polarizer filter to help bringing up more detail in the distant hazy landscapes. A few days after this trail, we are now back in lockdown. I wish everyone to keep safe in these difficult times.

First photos in 2021

As we enter the new year, it is clear that the Covid – 19 crisis is here to stay. Christmas and the New Year have come and gone, and I spent some days off of work at home, with the family. After that I decided to go to Longueira on the second weekend of January. I have a small house in that nice little village on the southwest Alentejo coast; it has been a sort of refuge on these dire times.

As always, I had my photo backpack ready, plus plans to visit nearby beaches and also walk an interior trail. It happened that on a very cold afternoon I went to one of my favourite local beaches, Brejo Largo. Looking at my records, last time I went there was at the end of 2019, more than one year ago.

So it felt appropriate to return and make some photos around sunset time. As I mentioned above, the weather was very cold for Portugal (still is today), with cloudy skies and a stiff northerly wind.

The small village of Longueira.

Even though it is possible to reach the beach using a four – wheel drive, I prefer to walk the 4 km between Longueira and Brejo Largo. It is a wonderful walk, crossing firstly cultivated and pasture fields, and secondly the coastal sand dunes covered with twisted pine trees and shrubs. Approaching the coast, one hears the sea before seeing it, as the the sound of the surf gets carried by the wind. After reaching the cliffs, there are two ways to go down, via rough steps excavated on the soft argillaceous rock: one set of steps on the northern end of the beach, and another one more or less in the middle. I chose to descend using the former, because it is also a nice viewpoint to start making some photos.

Arriving at Brejo Largo beach.

For this short photo session, I decided to keep things simple, using only one 23mm lens for my Fujifilm camera, complemented by the tripod and Lee Big Stopper filter. I am a big fan of long exposures, especially with such nice waves and clouds. As a bonus, the tide was low, so there were plenty of available rocks to use as interesting foreground subjects. The low tide exposes some interesting geologic features, such as long volcanic dykes that run parallel to the coast. Their lighter colour makes an interesting contrast with the predominant black schist.

Volcanic dyke.
Another volcanic intrusion.

I simply walked along the beach photographing the rocks, pools, and the beautiful scenery.

Rocks, sea and sky.
Intertidal.
Winter time on the beach.
Tidal pools.

When sunset arrived, the colours were incredible, with red and orange streaks permeating the clouds. This light only lasts for a few minutes, so I was very busy just shooting. The beach has a very flat and nearly horizontal profile, which results in good reflections from the sunset colours on the thin film of water. I walked back home after dark and bracing against the cold, but it was well worth it.

Near sunset time, colours become more alive.
Low tide reflections.
Fiery colours.
Peak colour time.
Beach at sunset.
Nature’s display.
Colours start to fade.
Almost night time.

The land of the Templars – part 2

This is part 2 of my latest essay, which is about a visit to the region of Tomar and Dornes in Central Portugal. Part 1 can be found here:

The History of Tomar is a very old one, dating back to pre – Roman times. The city was conquered by the Moors in 716, until re-conquered by King Afonso Henriques in 1147. Such was accomplished with the help of the Knights of the Order of the Temple. As a reward, King Afonso granted the ruling of the region to Gualdim Pais, a Templar knight. It was Gualdim Pais that in 1160 started the building of the famous Convent of Christ, which combines a religious structure with a fortification. It was the role of the Templars to defend the region from the attacks of the Moors coming from the South. With time, the Order grew in stature, and Tomar was chosen as its headquarters.

From Dornes to Tomar is a short drive. Upon approaching the city, it is possible to see the convent on the top of the hill, appreciating its defensive position. It is an important monument, classified as a World Heritage site. Its construction spanned many years, between the centuries XII and XVIII. The complex includes various structures, all of significant historical and heritage importance. The core of the whole complex is the Charola Templaria, a rare example of a circular temple, that was used by the Knights as a praying location, or inner sanctum. It is quite impressive to enter the Charola and admire all the works of art and the symbology that fills the place. The central part of the temple is organized according to an octagonal plan, surrounded by a corridor that has 16 faces. Walking around the room, it is possible to admire the many paintings and sculptures that depict episodes from the life of Jesus.

Exterior of the Convent of Christ, with the circular Charola at the end.
Entrance to the Charola.
Inside the Charola, the inner sanctum of the Templars.
Paintings depicting the life of Jesus.

One other important monument is the Manueline church, built between 1510 and 1513. This church was literally erected against the western facade of the Charola, and features one of the highlights of the visit, the famous Manueline Window. The Manueline architectural style appeared during the age of the Portuguese Discoveries, and its name comes from King Manuel I. The window combines various motifs, from religious to maritime ones; it has been described as a “poem written in stone”.

Manueline church, adjacent to the Charola.
Manueline window.

The window is quite impressive in its artistic expression, and I spend some time photographing some of the details.

Detail from the top.
Another detail of the window.
Detail of the stone ropes.

There are many more places and structures to visit in the complex, such as several cloisters and the cistern.

One of the cloisters.
The cistern.

The day had started in Dornes, with a very cold and foggy morning near the river Zêzere, plus a nice walk along a trail. Visiting the Convent of Christ was a great way to finish a very full day in the land of the Templars.

The land of the Templars – part 1

Recently I have visited the region between the city of Tomar and the village of Dornes, in the central part of Portugal. The plan was to visit some of the famous monuments of the area, namely the ones dating back to the period of the Templars, that is, the 12th century. I also wanted to walk the trail around Dornes, the small medieval village that lies on the bank of the river Zêzere. The area is shown in the figure below.

Location of major landmarks in the area. Trail indicated by the blue line.

The very old Order of the Temple was established in Portugal around 1126, a few years before the country’s independence in 1143. At the time, the knights had a significant role helping the first Portuguese King, Afonso Henriques, fighting against the Moors and expanding the territory towards the south. While the Order was extinguished by pope Clement V in 1307, in Portugal King Diniz transformed it into the Order of Christ in 1319, thus maintaining its patrimony. This important decision allowed the Order to establish its headquarters in Tomar, where they built the famous Convent of Christ. The nearby Tower of Dornes is also an interesting structure. I have decided to split this essay into two parts, the first one dedicated to Dornes, and the second one to Tomar.

The village of Dornes lies near the river Zêzere, about 2 hours drive to the northeast of Lisbon. I arrived early in the morning of 30th December, with the area covered by a freezing fog, and no soul in sight. No doubt, Covid and the cold were keeping everybody home. This is a mountainous region, characterized by forests and deep valleys. A large fire affected the area in 2017, and some of the effects are still visible when walking along the trail. Dornes has a very old history, dating back to Roman times, when the first fortification was built to protect the gold mining from the river. It also played an important role in the Christian reconquering of Portugal, when the Templar Knight Gualdim Pais decided to build the strong structure that we still see today.

Walking along the deserted streets, with the morning fog obscuring the river, it is not difficult to be transported 800 years back. The tower itself is unique due to its pentagonal plan. After a short walk near the river to admire the view, it was time to start the trail, which is indicated as PRZ1. Since it is a circular route, it really does not matter which direction to go, so I decided to do the trail counterclockwise. The first part is along the road leaving Dornes, but soon the path starts to climb the neighboring mountains. It is possible to spot the sunshine above the fog, and as the morning passes the fog starts to lift. Given the recent heavy rains, the forest is dripping with water, and green predominates.

Cold morning in Dornes.
Fog over the river Zêzere.
Branching out.
Small flower.

After a while the trail becomes more difficult, as it is clear that its maintenance has been overlooked. The path is covered with a lot of overgrowth, burnt tree stumps, and several signposts are missing at critical junctions. However, as the fog lifts, the views towards the village and the mountains are very nice and compensate for the extra challenge.

The fog lifts.

The trail keeps winding around and over the mountains and forests, until it arrives at a nice viewpoint over Dornes. From here, it is possible to appreciate its strategic location near the river. It is a beautiful view.

View of Dornes from higher up on the trail.
Dornes.

Returning to the village, I spent some time making some extra photos near the river, playing around with the reflections of the trees on the water.

Reflection.
Tower of Dornes.

In terms of photo equipment, I used my usual Fujifilm kit, consisting of a couple of cameras and lenses: one 24mm wide angle, one 90mm telephoto. This was flexible enough to allow different framing, according to the scenery.

Along the coast near Cabo Sardão, southwest Portugal

In the first week of December we had a few bank holidays in Portugal, so I drove south to spend some days in Longueira, on the Alentejo coast. During the weekend, depression Dora hit the country, with heavy rain and strong winds. Even under such conditions, there is always the chance to go out and take some photos. That is what I did during a Saturday afternoon, near the Cabo Sardão area.

From my house it is only a short drive to the lighthouse of Cabo Sardão. The weather was changing quickly, with heavy showers alternating with sun spells. I know the area quite well, so I decided I would walk along the coastal trail for a round trip of about 8 km, or a couple of hours. I simply grabbed the Fujifilm X100V and the tripod, plus a raincoat of course.

The coastal trail that passes through Cabo Sardão is part of the Rota Vicentina. From this point, it is about 20 km until the next village to the south, Zambujeira do Mar. The coastal region here is characterized by short vegetation and rocky Palaeozoic cliffs with many tectonic folds. A true natural haven, part of a protected area. Now and then the clouds would break, and a golden light would illuminate the cliffs and the sea. It was simply a question of sitting down and enjoying the quiet surroundings, with the land being buffeted by strong winds and crashing waves.

Rainbow panorama assembled from 3 photos.
During a break in storm Dora.
Cliffs at sunset. This light lasted for a few seconds only.
Saddle and arch.

It was a wonderful walk, graced with great but elusive light.

Pure light.

Early morning in Odemira

The following are just some photos that I took during a morning walk in the village of Odemira, a coastal and interior municipality of southwest Portugal, in the Alentejo province. I had to go to Odemira to buy some groceries, but even in such occasions I always bring my small camera with me, the excellent Fujifilm X100V.

Along the drive between Longueira and Odemira, there is a familiar farm house by the side of the road, that I have photographed before. This particular morning was no exception, because the land was green and the sky a crispy blue with fluffy white clouds. The sun had risen about one hour before, so the light was still good.

The terrain was soaked with rain, but I walked up to the farm house for a more close up photo. Actually, there is a natural spring nearby where I go to fill up several containers of water for drinking.

Farm.
Farm.
Farm and moon.

I took the opportunity of simply strolling through the streets in Odemira. Clearly, Covid – 19 is ever-present, even thought people try to go on with their lives. Local cafés and shops are open, but business is slow. Odemira is the largest municipality in Portugal in terms of area, and has a small population; thus, social distancing is already practiced under normal circumstances. Still, people are very worried, because a large part of the inhabitants are old. Hopefully 2021 will be a better year.

Walking by.
Enjoying the sun.
Over the Mira river.
Going up.