The Green Mountain

The Jebel Akhdar (Green Mountain) rises to a height of nearly 3,000 m and is part of the Hajar mountain range. It includes the Saiq Plateau at 2,000 m altitude and receives enough rainfall and moisture to sustain agriculture. The area is famous for its maze of wadis and terraced orchards, where roses, pomegranates and apricots are abundant. These patches of lush vegetation, in stark contrast with the surrounding dry and rugged land, are what give this region its “Green Mountain” name.

Jebel Akhdar is one of the obligatory places to visit and experience in Oman and has been designated as a nature reserve since 2011. The region became notorious after Princess Diana’s visit in the 1980’s; she admired the sunset from a viewpoint that has since been known as “Diana’s point”. I first visited Saiq Plateau in 2004, and back then there was only 1 hotel and a few scattered houses, plus the old villages nested in the terraced farms. Today there are many hotels and resorts, but the beauty of the landscape still enchants visitors.

I went back to the Green Mountain a few weeks ago, to walk the trail that goes along the terraces and the old villages. It is impressive to see the human effort that was required to mold the terrain into terraces that border precipices with hundreds of meters, where different cereals and fruit trees are grown. The water is supplied through an old falaj network, narrow channels dug in the rock. After driving around to get reacquainted with the area, I stopped near the terraces to admire the sunset. Lady Di was right, it is a magical experience. I took several photos as the sun went down behind the distant mountains.

Going up. The Royal Oman Police (ROP) only allows 4WD vehicles to access the Saiq Plateau. This is for safety reasons, as the road is really very steep.
Warm mist at sunset.
Sunset.
Sunset over the terraces and old villages.

The following morning, I woke up well before sunrise, to photograph the terraces and villages as the first light was appearing. There was nobody else around, and the silence was complete. It was cold too. As the night transitioned into day, a soft pinkish light started to fall upon the cliffs.

Dawn under the Moon.
Terraces at dawn.
Rugged.

After a well deserved breakfast, I walked the terrace trail; it was still early, so I had the path all to myself. I suggest walking this trail early in the morning, when the air is crisp and cold, to appreciate the tranquility present in the narrow streets that wind between old mud and adobe houses. If you do so, you will also avoid other visitors. It takes around 3 hours and affords beautiful views.

Green fields and hard work.
Old man.
Old village.

Besides this popular terrace walk, there are many other interesting places to visit, including historical abandoned villages (such as in Wadi Bani Habib and Al Sugra), and remote viewpoints that overlook the deeply cut mountain canyons at the head of major wadis.  At this higher altitude, the plateau is also home to a good number of juniper trees, the largest of which are centuries old. You will also see several birds of prey, flying effortlessly against the blue sky.

View over the abandoned houses in Wadi Bani Habib. The village is uninhabited, but the fields are still cared for. Not long ago, the only access was by donkey.
Old houses, Wadi Bani Habib.
In the valley, Wadi Bani Habib.

Given the wide landscape, I made a few panoramas as well.

Dawn panorama.
Panorama in the mountains.
Panorama of Moon and mountains.

Even if you are not a photographer, simply sitting down enjoying the beauty of the landscape, in complete silence, is a unique experience. I plan to return during springtime, when the rose gardens will be in bloom. This is one of the few remaining regions where the Damascus rose is still grown, for oil and water.

The Misty Mountains of Wakan

The small village of Wakan sits atop a hill, at the end of the Gubrah bowl, in the heart of the Jebel Akhdar mountains. During my first stay in Oman several years ago, this was one of my favorite places to visit; there are a few hiking trails in the area, and the views from above the village are stunning. The Gubrah bowl is literally a window into the (geological) past, as the erosion has carved out into the mountain range, resulting in a large flat area surrounded by tall and rugged peaks. The region is easily accessible, being less than a 2-hour drive from Muscat (see location map below).

Location map.

Even though the main road going through the Gubrah bowl is now blacktop, to reach Wakan you will need a 4WD vehicle, to negotiate the short but steep gravel road. Due to this limitation, the village is still relatively quiet, with a reduced number of tourists. For this visit, my plan was to walk the trail that starts in Wakan and climbs up the mountain, affording magnificent views over the mountains. The weather happened to be great, with a cloud cover that added an extra sense of mystery to the area. In my backpack, I had my usual Fujifilm kit of 2 cameras and 2 lenses, namely the X-T5 with the 16mm f/1.4 lens, and the X-T4 with the 56mm f/1.2 lens.

The village consists of a few houses, which are nested against cultivated terraced hills; people grow fruit trees (pomegranate, almond, peach, among others) and several types of cereals and vegetables. At an altitude of 1400m, the climate is cooler than in the valley below, and there is plenty of water that comes from the mountain through a network of falaj, or channels excavated in the rock.

Mountain’s gate. Approaching the entrance of Wadi Mistal.
Inside the Gubrah bowl.
On the road.
Surrounded by mists and mountains, Walkan sits at the top of a ledge (panorama assembled from several photos).

The first part of the hike is easy going, as you cross the village and the fields. The trees are showing the colors of Autumn, with rich oranges and reds. I stopped several times to take a few photos. The clouds and the mist add to the sense of quietness that emanates from the mountains. After a few hundred meters, the paved steps end, and you start walking along a narrow and rocky mountain trail, that has been used for centuries, as it connects Wakan to the Sayq Plateau, which is located higher, around 4 km away. Every now and then, I stop to take photos and enjoy the scenery. Sometimes the sun breaks through a gap in the clouds, shining upon the valley below.

Wakan from above, with the green fields and the Autumn colors.
Autumn colors.

The way is always up, but after a while the trail levels a bit, next to a huge cliff face. This is a good spot to rest and admire the view. This time, I decided to return to Wakan, rather than walking all the way to Sayq Plateau, which requires a bit more time. But even if you walk only up to this point, it is already a great experience.

On the trail.
Clinging to the rocks.
Fellow walkers.

Wahiba Sands

The Sharqiya Sands, also known as Wahiba Sands (named from the local tribe), are a desert with an area of around 12,500 km2. The desert was formed by a combination of south-western monsoon and northerly trade winds, forming long linear sand ridges that can reach to 100 m high. Located to the southeast of Muscat, they are easily accessible via a nice blacktop road, taking about a 2-hour drive. Below is a general location map.

Wahiba sands location map.

During my first stay in Oman, I used to visit the Wahibas regularly; there is something special about being in the desert, watching the sunset or sunrise, surrounded by complete silence. With the sun lower in the horizon, the shapes and patterns of the dunes are highlighted by the interplay of light and shadow. Sand colors are variable, from subdued yellows to rich orange and red. The last time I had visited the Wahibas was in 2009, so I did notice some changes after 14 years. Namely, the number of tourist camps has increased, and there is mobile network coverage. Even though the area is visited by many tourists, especially during the winter months, you can easily find a nice spot all for yourself. You can choose to book accommodation in one of the several desert camps, or simply camp on your own. The camps are always located in the interdune valleys, which are easy to drive to.

In terms of photography, I used my 2 cameras (Fujifilm X-T4 and X-T5) with 2 lenses (Fujinon 16mm f/1.4 and Voigtlaender 35mm f/1.2). The wide-angle saw a lot of use for large vistas and sand patterns, while the standard lens allowed me to shoot the more general subjects. As the sun is low in the horizon, it is necessary to work quickly, because the light changes fast. It is better to allow yourself some time in advance to climb the dunes and find a good spot. Wind can be a problem, as it carries sand everywhere; the sand is very fine and can adhere to your camera gear and tripod. I was careful to always replace the lens cap and store the gear in the backpack when moving between locations. This is normal procedure when shooting in this type of environment. And of course, the wind is what created the desert to begin with, so it comes with the territory.

After settling in, I went out for a photo walk at sunset, climbing the western dunes to reach a high location. Interesting vistas and subjects are everywhere, so I just kept shooting. There are plenty of patterns in the sand, and the rare green bush here and there. The experience of watching the sunset surrounded by all this natural beauty is unforgettable. At night I also carried out a session aiming at getting some nice star trails and Milky Way photos. The area was dark enough, even though there was light pollution coming in from the camp itself, and some vehicles driving through the valley.

The Arabian Oryx.
Desert panorama.
Desert sunset.
The Milky Way. 6 images stacked.
Star trail. 1 hour total time.

The following morning, I went out for a pre-sunrise walk; climbing the dunes, the sand was cold, as the temperature at night had dropped significantly. I kept photographing as the light slowly changed, painting the sand with soft colors, that became more intense as the sun climbed over the top of the opposite ridge. Again, it was magical simply to sit on the top of the dunes, watching Nature’s beauty unfolding in front of me. It was wonderful to go back to the Wahibas after 14 years.

Dawn in the dunes.
Textures.
Soft tones.
Sunrise.
Ripples and shadows.
Pyramid. #1.
Pyramid #2.

Mutrah Fish Market, Muscat

A visit to the fish market in Mutrah is one of the best ways to experience the local hustle and bustle, as the fishermen arrive in their boats, bringing their catch. You need to arrive at dawn, because the activities start very early in the day. It is interesting to see the fish being unloaded and carried into the nearby market building; or simply being sold right there on the spot, as restaurant owners come by to negotiate.

As a photographer, it is a place full of opportunities, and I simply walked around for a while with camera in hand, greeting people along the way. I find it a good approach to be nice and open about what I am planning to do, which is take photos. After a while, nobody pays me any attention anymore. For this visit, I used the Fujifilm X-T4 and the Voigtlaender X 35mm f/1.2 lens, which is manual focus. I like this lens very much, it is small and manual focusing is a breeze.

On the pier.
Business.
Resting.
Bringing the fish.
Seller.
Milk!

Back in Oman

After 14 years, I am working in Oman again, and living in Muscat, the capital of this beautiful country. Even though there are more buildings, roads, and development, the unique cultural heritage of a romantic Arabia is still very much present in the old forts, markets, countryside, and of course its friendly people.

This set of photos was taken during a very early visit to the old part of Muscat, along the shoreline and Mutrah Corniche, with the old Portuguese forts surveilling the sea. I am looking forward to revisit some familiar places in the mountains and deserts, while finding new ones.

Note: photos were taken with Fujifilm X-T4 and X-T5 cameras, plus Fujinon 16mm f/1.4 and 56 f/1.2 lenses.

Tranquility.
Fort at dawn.
Mutrah Corniche panorama.
Enjoying the view.
Arrival.
Top of the hill.
Mutrah Corniche.

Odeceixe, a Wonder in SW Portugal

The Odeceixe beach is one of the most popular ones in SW Portugal. In fact, a few years ago, it was awarded the prize of “best beach with cliffs” in a “7 wonders contest”. Located at the estuary of the river Seixe, it is characterized by a large body of sand. Where it faces the ocean, the sea can be rough, with tricky currents; the more protected river side is excellent for families and small kids. I hadn’t visited this beach for several years, but recently I had the chance to spend a nice afternoon in there. The name Odeceixe originated from the Arabic, with “ode” coming from “wadi”, or river.

To get to the beach, you pass through the picturesque village of Odeceixe, with its windmill in the top of a hill. Last August, the area suffered a violent forest fire, so the surrounding landscape is still covered by burnt trees and dark soil. It always saddens me when something like this happens… close to the beach, there are a few houses that hug the southern cliffs; here, you can find numerous cafés and restaurants, plus plenty of accommodations to rent. These are busy all year round, especially with the local surfer community, and visitors walking the trails of the Rota Vicentina.

General view of the beach from the river. Fujifilm X-T5 and Fujinon 16mm f/1.4.
Sweet potato plantation, a famous product from the region. Fujifilm X-T5 and Fujinon 16mm f/1.4.

After spending a few hours in the beach, I drove to the northern margin of the river, where I left the car. From there it is possible to walk along part of the Rota Vicentina coastal trail, to reach the northern promontory. This is where you will have the best view of the beach. I spent the next hour or so, until sunset, taking many photos. You can appreciate how the interaction between the river and the ocean has created the large beach, thanks to the accumulation of sand. After walking around for a while, I merely sat down and enjoyed the beautiful scenery and the tranquility.

From the cliffs. Fujifilm X-T5 and Fujinon 16mm f/1.4.
Erosion. Fujifilm X-T5 and Fujinon 16mm f/1.4.
Coastline. Fujifilm X-T5 and Fujinon 16mm f/1.4.
Fellow photographer. Fujifilm X-T5 and Fujinon 16mm f/1.4.
Golden hour. Fujifilm X-T4 and Fujinon 56mm f/1.2.
View from the top. Fujifilm X-T5 and Fujinon 16mm f/1.4.
Panorama of 2 photos. Fujifilm X-T4 and Fujinon 56mm f/1.2.
Panorama of 5 photos. Fujifilm X-T5 and Fujinon 16mm f/1.4.
Sunset. Fujifilm X-T4 and Fujinon 56mm f/1.2.
Clouds. Fujifilm X-T4 and Fujinon 56mm f/1.2.

This is indeed a beautiful area, and I think the award was well deserved.

The Magic of Cabo Sardão, SW Alentejo Coast

It is rare for me to visit this area, and not spend some time in the Cabo Sardão cliffs, simply to enjoy the place. The view along the coastline is magnificent, and sunset is special. It is common for both locals and visitors to gather and admire the scenery, as the sun slowly sinks into the horizon, bidding farewell to another day. In early October I took a few days off to spend some days in the region, and one of the afternoons found me once more in these cliffs.

I arrived about one hour before sunset, and took a stroll in the vicinity of the lighthouse. The weather in the beginning of Autumn feels like a hot summer, but the days are starting to get shorter, and the light has acquired a stronger golden tonality. There were some clouds in the sky, so I was hoping for some interesting color. While waiting for the sunset, I went to a few favorite spots of mine for some photography time; some of these locations are a bit more tricky to access if you are afraid of heights, so please be careful. All the photos were taken with the Fujifilm X-T5 camera and Fujinon 16mm f/1.4 lens.

I made a few photos to the north of the lighthouse, following the signaled path. There are several small hidden beaches that were completely empty. After that, I went to another location, facing the cliff, which offers the classic view of the lighthouse on the top, with the precipitous rocks descending into the ocean. Because there was no wind, it was safer for me to walk down a little more than normal, and thus obtain a more unusual angle over the scenery. I like how the lines from the rocky layers seem to guide the viewer to the distant lighthouse.

Small beach to the north.
Shaded cliffs.
Lower #1.
Lower #2.
Classic view.

As the sunset time was approaching fast, I more or less remained in this location, but turned west. The clouds were reflecting interesting and rich warm colors. As the sun disappeared, the lighthouse keeper turned the light on, a moment that is always interesting to photograph.

Looking south.
Horizon.
The lighthouse.
Sunset.
Softer.
The light is on.
Gone.
Entry.

I never tire of going to this special place and admire its beauty, it truly is magical.

At the Edge of Light

This is a simple post, just to share some photos I took last week, when spending a few days in Longueira, in the SW Alentejo coastal region. End of September is synonym with tranquility: vacation time is over, school has started, so the crowds are gone. More than that, there is something special about the light in late September; the sun is lower in the sky, the air is crisper, and one can tell that Autumn is around the corner. It is a wonderful time to visit the area, and walk along the beaches and coastal paths.

It rained during one of the days, bringing the much needed water to the dry land. The following afternoon I took a walk just before sunset, visiting the area between Almograve beach and the fishing harbor of Lapa de Pombas. The weather was great, with nice golden light and clouds in the sky. I am always surprised at the amount of interesting subjects that can be found in this small area, from the more general vistas over the cliffs and the ocean, to the fishing boats, and even the local cats.

Almograve beach, panorama of 2 photos. Fujifilm X-T4 and Voigtlaender X 35mm f/1.2.
Sand dunes, panorama of 2 photos. Fujifilm X-T4 and Voigtlaender X 35mm f/1.2.
Waves.
Waves and rocks.
Lapa de Pombas fishing harbor.
Horizon.
Along the coast.
Enjoying the sunshine.
Sunset #1.
Sunset #2.

The following morning I woke up before sunrise for another walk, this time near Longueira. I often go out for a walk early in the day, it is a peaceful time to enjoy nature. The fields around the village have been planted with sweet potatoes, a local famous product; it is now time to gather the harvest, and the workers arrive before sunrise. Looking east, the first light of the sun seems to turn the sky on fire. This type of light lasts only for a few seconds, so I keep shooting as the scene changes.

Longueira sunrise. Fujifilm X-T4 and Voigtlaender X 35mm f/1.2.
Time to harvest the sweet potatoes. Fujifilm X-T4 and Voigtlaender X 35mm f/1.2.
Fire in the sky. Fujifilm X-T4 and Voigtlaender X 35mm f/1.2.
Windmill. Fujifilm X-T4 and Voigtlaender X 35mm f/1.2.

As mentioned initially, these are just some photos taken close to Longueira and Almograve, within walking distance of my house. I am fortunate to be able to spend time in this region, which is blessed by natural beauty and tranquility,

A Sunset Walk in Ursa Beach, Sintra.

About 1 km north of Cabo da Roca lies what the Michelin Guide has considered one of the most beautiful beaches in the world, Ursa. The name means “female bear” in Portuguese, and supposedly comes from the shape of one of the local sea stacks. Even though I live about a 40 minute drive away, I have not been to Ursa for many years. The area has become a tourist magnet, with countless buses stopping at Cabo da Roca, which is part of the Cascais – Sintra touring route. There are countless interesting places to visit in the region, with Cabo da Roca being the westernmost point in continental Europe.

Still, the place is indeed beautiful, so I planned for a visit when the tide would be low, just before sunset. Quite often such plans are challenged by the typical fog that covers the region of Sintra, but such is part of its charm. For this visit a few days ago, the sky was a nice clear blue, which is actually not very interesting for photography, but as photographers we have to adapt to any conditions. It was also nice to have my daughter for company, so I considered myself lucky. While I had my 2 cameras and 2 lenses, she carried her smartphone; sign of the times.

Stopping at Cabo da Roca is mandatory, and I took the opportunity to make a panorama of the amazing view over the mountains and sea.

View over serra de Sintra from Cabo da Roca. Panorama from 5 photos. Fujifilm X-T5, Fujinon 16mm f/1.4.

From there, we made our way to the beginning of the trail to Ursa; for the first few hundred meters, the path is generally flat, following along the plateau. After reaching the edge of the cliffs, it steepens considerably, and due care is necessary. Do not rush, because the view over Ursa is really nice. Given that the access is difficult, this beach is never crowded, and such was the case on this afternoon. Still, there were people around, many taking photos, and also enjoying the sunshine and the surf. I walked around for a while, exploring the area and looking for interesting compositions. The famous sea stacks are the obvious subjects, but other smaller details are also worth your attention. Like the dark vertical volcanic lodes that have intruded into the surrounding rocks, during the opening of the Atlantic ocean.

Intrusive. Fujifilm X-T5, Fujinon 16mm f/1.4.

As the tide was going down, other parts of the beach became accessible, so I headed into its southern part and made a few more photos. The sunset was approaching, so the light was quite good. I used my 10 stop neutral density filter to smooth the water, and to really make the rock formations stand out; one added benefit was to also make the people disappear in the long exposure. The conspicuous lighter sea stacks make a good contrast with the surrounding darker and orange rocks.

On the rocks. Fujifilm X-T5, Fujinon 16mm f/1.4, Lee 10 stop ND filter.
Framed. Fujifilm X-T5, Fujinon 16mm f/1.4.

Looking around, I noticed a cormorant perched on a rock, silhouetted against the sun.

Sunshine. Fujifilm X-T4, Voigtlaender X Nokton 35mm f/1.2.
Low tide. Panorama from 2 photos. Fujifilm X-T4, Voigtlaender X Nokton 35mm f/1.2.

I wanted to be back on the top of the cliff to watch the sunset, so after a couple of hours, it was time to head back. Again, it is impossible not to stop and make a few more photos. Especially as the light was getting really good, changing fast from golden into softer mauve tones.

Golden rocks. Fujifilm X-T5, Fujinon 16mm f/1.4.
Soft light. Panorama from 2 photos. Fujifilm X-T4, Voigtlaender X Nokton 35mm f/1.2.

And there was also time to see the light being turned on in the Cabo da Roca lighthouse, framed against the early night. What a great way to end this nice afternoon.

The light in the distance. Fujifilm X-T4, Voigtlaender X Nokton 35mm f/1.2.

The Bright Side of the Moon

This is a short piece about a photo walk I did this morning, near my house in Carcavelos. Since it was the day before being full, the moon would set a few minutes before sunrise. This is always a good opportunity to photograph the moon as part of the landscape, with some early natural light in the sky. It permits a better balance between the moon’s brightness and the rest of the composition. Furthermore, the moon is closer to Earth than normal, by about 27,000 km, which makes it a little bit brighter than normal – a so-called “super moon”. In practice, and with the naked eye, the difference is barely noticeable, so forget the social media hype; it is worth it to go out and photograph even when the moon is not “super”. Oh, and “blue moons” are more common than people think.

I left the house about 1 hour before sunrise, with the plan to head for the coast, near the beach of Carcavelos. My plan was to photograph our satellite as it descended towards the ocean in the horizon. I was hoping for clear skies, and I was happy to see that there were only a few wispy clouds; also, the usual fog bank coming from the Serra de Sintra was further away than normal, which was good news.

For these photos, I used the Fujifilm X-T4 camera, Fujinon 56mm f/1.2 lens (I wanted a short telephoto lens) and tripod. During the first few shots, the sky was still dark, creating a large brightness contrast with the moon; even with a negative exposure compensation of 5 stops, it was a challenge to try and preserve some detail on the moon. Still, I made some interesting photos, by including passing cars.

By the side of the road.
Moonlight.

As the eastern horizon started to slowly brighten, so the light began to change very quickly, entering the blue hour period.

Blue hour.

Even though I was paying attention to the moon, on my back the light was becoming increasingly golden, and the clouds were reflecting this light, with pink and orange colours. I was in the middle of the transition between night and day.

Sunrise panorama.

Turning my camera back to the west, I framed the moon between some rocks, adding interest and context to the composition. The moon and the surrounding clouds were now also reflecting this golden light. I was feeling lucky, because the clouds were adding interest in the sky, but they were not obscuring the moon.

On the rocks.
Geometry.

As I said, it was fortunate that the fog bank was really far away, so I could follow the moon almost until it disappeared in the distant horizon. Once the moon was gone, I packed up and went back home for a well deserved breakfast. I always enjoy these photo walks very much.

Approaching the horizon.
Soft touch.

Note – the title of this article is my homage, with an obvious twist, to one of my favourite albums, that turns 50 this year.