This is the third and final instalment of a set of posts I wanted to make about my recent vacation in the area of Longueira, Odemira municipality, Alentejo. The first post talked about photographing the river Mira and the countryside near Vale Figueira, and the second post addressed the small fishing harbour of Lapa de Pombas, in the coast.
For this final piece, I want to take you to Milfontes, which is one of the highlights of the region. This is a village that is rich in history, from its colourful 16th century stories of pirates, to more recent “invasions” of peaceful tourists. From the three photographic sessions I wanted to carry out during this time – off, this was the one I had really planned: I wanted to photograph the interesting polygonal coastal rock formations at low tide during sunset. When the conditions are right, the water remains in small tidal pools and reflects the colours and light of the sunset, making for a truly spectacular scenery.
A quick research about tide, sunset, and Moon rise conditions, led me to reserve the evening of 15th June for this objective. There would be an excellent combination of a 70 cm low tide close to sunset at around 9 pm. The Moon would rise near full within that time period, perhaps providing more opportunities. The only thing that was more uncertain was the presence of dramatic clouds to fuel the interest during sunset; the only thing that was persistent during the day were some strong winds and clear skies… hoping for the best and keeping my fingers crossed, I pickled up my backpack and tripod, and made the short 10 km drive between Longueira and Milfontes, arriving about 1 hour before sunset.
I parked near the small lighthouse in the northern bank of the river mouth, which is not a bad location for nice views of the coast to the south, and the village proper, to the east. I spent some time making a few photos with the new Fujinon 16mm f/1.4 lens that I am testing (and that I have used for the photos in the previous two chapters of this essay). Even though this lens is larger and heavier than the 14mm f/2.8 lens (that I have used for years), after a few days of using it I was very comfortable – it basically feels and handles like a grown up version of the 14mm lens (same set of controls) – with the bonus of being more robust (it has Fuji’s Weather Resistant construction and labelling), and 2 stops faster (which can be handy sometimes). One other important change is that the aperture ring is a lot less “free rotating” in the 16mm lens, compared to the other.
Anyway, enough of gear talk… From the vicinity of the car park and after a few photos, I walked down to the beach, where the tide was already very low; I think that the combined effort of near full Moon plus the approaching summer solstice were contributing to such low tide levels. Even better for my plans. Walking along the sandy shallows and the rocks, I managed to reach a good distance away from “land”; this allowed me to make some photos that were completely new to me, which was excellent. In some places, the sand had consolidated into sharp – edged rock formations, so be sure to wear good shoes (summer – type flip – flops will not do!). There were plenty of interesting sand patterns, waves, and the view of Milfontes from this far away to keep me busy for a while.
As the Sun was approaching the horizon, I made my way back and entered the area that I was really interested in, featuring the above mentioned polygonal tidal pools. I took a few test shots to get a feel for the compositions, and finally decided on a location to set up the tripod. I already had a few filters ready in my pockets, as being prepared and ready helps a lot, especially if working over water – you don’t want to drop your precious Lee Big Stopper ND filter on the tide pool, or fumble in your backpack when the light is just great. My greatest fear – lack of an interesting sky – went away, because as the sunset approached, there were long and wispy clouds reflecting the light. This turned out to be a highlight of the session for me, and I was soon shooting frame after frame, as the light changed colour and intensity. I spent more than 1 hour in that place, shooting well after sunset. What a fantastic way to end the day, and I felt blessed to be able to witness this show of Nature.