Vila Nova de Milfontes is a wonderful place to visit the entire year. Considered by many as the jewel of the southwest Alentejo coast, the village hugs the northern bank of the Mira river, where it joins the Atlantic. It is famous for its pristine and picturesque beaches, which are part of a Nature Reserve. I have already written here many times about Milfontes, showing numerous photos taken during the 4 seasons of the year.
Milfontes is indeed full of interesting places that take on a different feel according to the season and the light. I was there recently in end November, and had the chance to make more photos during a break in the rainy weather. The Autumn light adds a different character to the landscape, augmented by the stormy clouds. A good general view of the village, estuary, and river can be appreciated from the bridge.
From the bridge, it is possible to make good photos, using both wide angle and telephoto lenses. The river slowly makes its way to the sea, and the distant mountains provide a nice background. The small fishing and recreation boats rest along the pier.
One other great location is further down the main road, in the small promontory where a small lighthouse is located. From there, it is possible to see the village and the surrounding beaches. On this particular evening, the light and the clouds were quite nice.
I never tire of Milfontes, especially off-season, where it is possible to enjoy the place without all the hustle and bustle of the summer. These photos were taken with two Fujinon lenses, 16mm f/1.4 and 90mm f/2.
Here in Portugal in the last 3 or 4 weeks there has been a lot of rain and some stormy weather, which is excellent to mitigate against the draught. The Covid-19 restrictions are still in place, but it is possible to travel outside of curfew hours. In the beginning of December there are a few public holidays, so I took the opportunity to spend a couple of weekends in Longueira, a small village near the southwestern Alentejo coast.
The weather was indeed rainy, which was not very inviting to go out and take photos, but that is what I did one afternoon. Bad weather is often a good opportunity to make different and interesting images. The sky was filled with clouds coming in from the south, and promising more rain. I decided to take a short walk around the village, along local dirt roads that cross rural fields and some farms. The brooding and menacing clouds would add some drama to my images. A few examples are given below.
My little walk took about 1 hour, and by the time I got home it was dark and raining a lot. Still, I managed to make a few interesting photos, featuring the dramatic sky as key element. So, next time it is raining, get out of the house and try to take some different photos. All the photos were taken using the Fujifilm X-T3 camera and Fujinon 16mm f/1.4 lens, a good option for rainy weather, as both feature weather resistance.
I don´t write about photographic gear very often in my blog, since I prefer to showcase my photos and associated experiences. It is my opinion that current cameras and lenses across several formats are more than capable to deliver excellent images. It is up to the photographer to go out, find inspiration, and produce memorable photos. As those who read my blog know, in the past 4 months or so I have been trying out the Fujifilm X100V, using it in the type of occasion where I prefer to carry only one simple but high-quality camera.
Such instances have
included walking several trail paths in the Rota Vicentina in southwest
Portugal; simple landscape photo sessions; and general vacation photography. My
previous impressions can be found in the following links:
The Fujifilm X100V is the fifth version of an iconic camera line that first saw the light of day in 2010. So this year marks an important milestone for the little camera. In fact, one could argue that the success of the original X100 was the first significant step in the launch of Fujifilm’s X-mount system one year later. I have used several of the X100 cameras throughout the years, and the “V” still carries all of the original charm, marrying it with the modern technology and know-how of the company. There are not many camera lines that are able to maintain such strong personality traits after 10 years – this is almost an eternity in the digital age.
In order to round off this series of articles about my experiences with this camera, I have used it again recently to make some landscape photos on two occasions. Both during a weekend that I spent in the Alentejo coast, near Almograve. I merely used the camera and a tripod, can not get any simpler than that really.
On the first outing I went to the area near Cabo Sardão lighthouse, to photograph during the sunset time. The weather was cloudy, with menacing and broody skies. This made for some nice photos of the sea, cliffs, and lighthouse. For some of them I used the built-in neutral density filter; 4 stops is very useful to achieve long exposures.
As you can see, the weather was looking dire, but I kept shooting, as the clouds and the light were changing every minute. The interplay between the sea and the sky provided interesting compositions.
The second outing occurred the following morning, in the small village of Longueira. Again, I simply grabbed the camera and the tripod and went out of the house before sunrise. Trying to find different and still interesting subjects after photographing a place for so many years is a challenge. However, every sunrise (or sunset) is different, and places change with the seasons. In the Autumn, often there are clouds in the sky that are illuminated by low angle sunlight, displaying warm colours. The fields are ploughed and freshly vibrant from the morning dew.
In conclusion, the X100V is, for me, the best version so far of this line of cameras from Fujifilm. Small, easy to operate, great lens and sensor, robust, and delivers high image quality. The final photo illustrates that in the confined world we live in today, it is still possible to imagine.
Located at the estuary of the river Mira, Vila Nova de Milfontes is blessed with a beautiful natural setting. Here, the quiet river water reaches the Atlantic surrounded by tree-covered cliffs and golden sand beaches. No wonder that in the last 30 years or so it has become one of the most popular summer vacation destinations. In 2020 the summer was quieter than usual, due to Covid-19, but still there were some people around. Now, at the end of October, Milfontes has returned to the usual tranquility of the other 9 months of the year.
One very early morning (or rather late night?) I picked up my photo backpack and tripod and headed over to the village to make some night and sunrise photos. There are several interesting monuments and places that portray a different feel at night, and I wanted to capture that. The old church, the XVI century fort overlooking the estuary, and some architectural details, all make interesting subjects. Another highlight is the monument that commemorates the first airplane voyage between Portugal and Macau; on the 2nd of April of 1924, Brito Paes and Sarmento Beires took off from Milfontes in a risky endeavour. Two planes and 16,380 km later, they reached their destination on the 23rd of June.
Walking down the street to the river, I made photos of all these subjects, which at night display a different charater.
The little square in front of the castle provides one of the most popular views over the river and the sea. At night, the illumination was provided by the artificial lights, which turned out quite nice on the water and the lifeguard building below.
There was a low tide, so I walked down to the beach and made several photos of the boats and the landscape. Due to the low light levels, exposure times were quite long, resulting in subject movement on the boats and some good colour and detail in the cloudy sky.
The first light of dawn was appearing in the East. The clouds, sky, and fishing boats provided some really nice compositions. I was quite busy making a lot of photos during this period. Including a 15 minute exposure!
During this transition between night and day, the light was changing very fast, so every minute the landscape was presenting different aspects. These were typical blue hour light conditions, where landscape photographers need to work fast to catch the light at its best.
Looking over my shoulder I noticed the clouds in the sky turning into a fiery orange. This only lasted for a few seconds, but I managed to make a few photos. What a fantastic light that was!
Once the Sun broke through, the area became bathed with golden light and long shadows. Since the tide was low, I was able to walk under the coastal walkway. I made a few more photos, including the walkway itself, and the moored boats.
Once the Sun was shining over the area, several cats appeared to warm up. These are normally taken care for by the nice lady that ferries people across the river.
Before I went back home for a well deserved breakfast, I took a few more photos of the castle on the top of the cliff. The light was great, and this is one of the obligatory compositions.
Starting about two years ago, my wife and I have been walking along the circular trails of the Rota Vicentina inside the municipality of Odemira, Alentejo province. These trails are a wonderful way of getting to know the coastal and rural areas of the region, away from the more touristic places. This is a beautiful region located between the mountain and the sea, a singular Alentejo, as the local advertisement says.
With all the Covid-19 problems, and with the certain future lockdowns in Portugal, we have recently taken the opportunity to repeat some of these trails. Such is the case with this one, which takes us from the interior village of Troviscais to the river Mira, and back. We did this walk two years ago in November, and I wrote about it in detail here.
This time around the weather was sunny and crisp, following the passage of storm Barbara. Everything seemed fresher, and the colours more vivid, which was nice. Similar to the previous time, I simply carried a wide angle lens and a telephoto lens, respectively the Fujinon 16mm f/1.4 and the Fujinon 90mm f/2. Due to my familiarity with the trail, I had in mind making some different photos compared to the last time, especially using the close focus distance in both lenses. I also made some long exposures using my Lee Big Stopper ND filter.
Walking this trail again was a wonderful experience; we crossed rural fields with cork oak trees, up and down gentle hills, with the highlight being the couple of km along the river margin.
Black and white photography is as old as photography itself. With the advent of digital photography, it is increasingly easy to produce black and white images using various types of software. In my opinion what makes a good black and white photograph still has to do with light and subject. Sometimes colour can be a distraction, so by eliminating it, we can focus the attention on textural details, shapes, moods, and feelings.
On one of my recent trails in the Rota Vicentina of southwest Portugal, I made a series of photos of the rural landscape. You can read about it here:
The weather was very nice, with plenty of sunshine and white clouds. Some of the cork oak trees are very old in this region, and they make for interesting shapes against the sky and surrounding landscape. Some of the houses were also interesting, with the typical strong blue and white colours of the Alentejo province. In several photos, I used a polarizer to enhance the richness of the colours even more.
Even though I was quite happy with the colour photos I made on that trip, I thought that some of them might also work in black and white. So, when working on the Raw files, I tried several types of conversions. There are many ways to convert from colour to black and white, but I wanted to keep things simple. In this case, I used the Fujifilm presets inside Lightroom, deciding on either the Acros or Monochrome presets, with a touch of red filter to darken the sky and enhance contrast.
Following are some photographs that I converted and am happy with. Next time you are out photographing, keep an eye for interesting subjects that might be suitable for good black and white images.
You can tell from my recent posts that I have been using this camera a lot. From occasional and general type of shooting to trekking, this camera is a powerful photographic tool. Today, I want to share another experience, this time using the camera for landscape photography in the southwest coast of Alentejo, Portugal. More precisely, during dawn in Almograve beach.
My wife thinks I am crazy, but I like to wake up before dawn to catch the best light on the landscape. Or, in this instance, the seascape. This time, I simply grabbed my tripod and X100V and went off to the nearby beach of Almograve. Arriving in the dark, I set up the camera and tripod and started experimenting with long exposures. I often use a Lee Big Stopper ND filter, but this time I wanted to try the in-camera 4 stop ND filter and see what type of images I would get. The previous version of the camera had a 3 stop ND filter; 1 stop more ends up making a significant difference for this application of long exposure photography.
Below are some examples of the long exposures I was able to shoot, some of them up to 4 minutes long.
As you can see, the soft light of pre-dawn was wonderful, with changing pink and purple hues in the sky. The longer exposures also imparted the sea with an ethereal quality.
In closing, I can say that the images look great, and the new 4 stop in-camera ND filter opens up a lot of possibilities for long exposure photography.
As promised, what follows is a brief write-up of my experience using this camera on one of the Rota Vicentina trails. This is a network of many walking trails that exists in southwest Portugal, with a total of around 750km. The one I am writing about today is one I have previously done in December 2019 (details in the link below).
My wife and I enjoyed this trek so much last year, that this year we decided to do it again. With the Covid-19 pandemic still ongoing, we take any opportunity we can to go out and enjoy Nature in this region. So this year, in the beginning of October, we went again for this hike, which provides some great views from the top of the hills, plus some wonderful contact with local farmlands and old ways of rural life.
The weather was wonderful, with plenty of sunshine and puffy white clouds. This time, I only took the little Fuji X100V, tucked away in a small shoulder bag, with a spare battery and polarizer filter. Last year I went with more gear (2 cameras and 2 lenses), so this time around I wanted to see what different types of photos I would come back with. With a 23mm lens on APSC format, the X100V is an excellent camera for occasional shooting, be it landscapes, reportage, or documenting.
This trek is notorious for the very old cork oak trees that can be found along the way. I had some fun time playing around with various compositions and using the polarizer to enhance colours, sky, and clouds. I also tried a few black and white versions from the Raw files.
The well know Arbutus trees are starting to bear fruits which, when ripe, are delicious. They are important for the local economy, as a source for the famous spirited medronho aguardente.
About half way along the trek, the road climbs towards the top of a hill, where the tiny chapel of Nossa Senhora das Neves can be found. This is a wonderful place to have some rest and enjoy the 360 degrees scenic views.
It is also a very good spot to have a picnic lunch. After this, the rest of the trail winds up and down the hills, before descending to the valley. I ended up using the polarizer a lot and liked the results.
I was quite happy with the images I made, and again confirmed that the X100V is a powerful little companion for such occasions. I will keep using it a lot on the trail.
I recently wrote about the latest iteration of the X100 series of cameras in the article below.
I have been using the camera whenever the opportunity arises, in short walks, or even on long trails. One of these recent short walks in the beach near my house, Carcavelos. Since June I have been working under a mixed regime, one week in the office, one week at home. Thanks SARS-COV-2… anyway, one of these afternoons, after work, I went for a sunset stroll on the beach. The little Fuji X100V is a perfect companion for such occasions, so I took it along.
The weather forecast included some rain showers and clouds, courtesy of storm Alex, so things were looking promising in terms of potential photographic interest. Looking through the window, there were indeed some clouds, but also occasional sunshine. Upon arriving at the beach, the weather was great, with golden light that with time turned to the typical post-sunset blue hour. I simply walked along the surf, making some photos here and there.
There were several surf schools operating at the time, and they always signal their position with flags. One of the attractions of the X100V is the fast f/2.0 lens, so I tried a close shot of one flag with the lens wide open, so the background would melt away. It’s nice to have these options in a small camera. This camera is small but quite responsive, so this type of unplanned photography on the go is easy to do. The fact that the X100V looks like some old film camera also helps in being unobstrusive when among people.
I stayed in the beach until after sunset, as the sky started to show magnificent colours. I did not have a tripod with me, so I had to raise the ISO more than I am used to, but even so, the quality of the RAW files was quite good. At the end of the day, it was an enjoyable and relaxing walk, and I was able to make some interesting photos with this nice Fujifilm camera.
Next time I will write about my experience with it when hiking on a trail along the Vicentina route in southwest Portugal.
When considering the subject of “landscape lenses”, normally the consensus converges towards lenses with a wide angle of view, that is, below the typical 50mm standard lens. Of course, such lenses are very useful for providing “depth” (foreground to background relationship) and including the grand vistas often associated with landscape photography.
But many interesting landscape photos can be made with normal and telephoto lenses. The latter can provide a very different photo, by isolating or drawing the attention of the viewer to a particular detail in the scene. This article provides some examples that I made during a short early morning walk in Carcavelos beach, near my house. It is a location I visit many times, which poses the challenge of trying to obtain different photos from the ones I took before.
I used the Fujinon XF 90mm f/2 lens, which is labeled as a portrait lens. On this occasion, I wanted to see what type of photos I could make on the beach, looking around for interesting subjects. There is a large fort on the eastern end of the beach, and normally there are many surfers that arrive very early. So I simply mounted the lens on the camera, grabbed the tripod, and went out.
The first shots I took were simply playing around with the shape of the lens’ aperture: rounded wide open, polygonal stopped down.
As expected, there were already many surfers in the water, plus some others doing their warm up. I made a few shots of them, using long exposures to capture the ambiance.
The next photos show the fort in the distance, and the pontoon up close. The tighter angle of view from the lens provides a different result from using a wider angle lens.
I had a great time simply walking along the beach, enjoying the pre-dawn light, the changing colours, and the breaking waves.
As for the lens itself, it is no surprise that it delivers excellent results, and it is another high quality tool in my landscape kit. Delivers sharpness, great colour, and contrast.