You can tell from my recent posts that I have been using this camera a lot. From occasional and general type of shooting to trekking, this camera is a powerful photographic tool. Today, I want to share another experience, this time using the camera for landscape photography in the southwest coast of Alentejo, Portugal. More precisely, during dawn in Almograve beach.
My wife thinks I am crazy, but I like to wake up before dawn to catch the best light on the landscape. Or, in this instance, the seascape. This time, I simply grabbed my tripod and X100V and went off to the nearby beach of Almograve. Arriving in the dark, I set up the camera and tripod and started experimenting with long exposures. I often use a Lee Big Stopper ND filter, but this time I wanted to try the in-camera 4 stop ND filter and see what type of images I would get. The previous version of the camera had a 3 stop ND filter; 1 stop more ends up making a significant difference for this application of long exposure photography.
Below are some examples of the long exposures I was able to shoot, some of them up to 4 minutes long.
Dawn in Almograve beach.Rock.Passage.Moon and rocks at dawn, Almograve.
As you can see, the soft light of pre-dawn was wonderful, with changing pink and purple hues in the sky. The longer exposures also imparted the sea with an ethereal quality.
Rock and Moon.
In closing, I can say that the images look great, and the new 4 stop in-camera ND filter opens up a lot of possibilities for long exposure photography.
As promised, what follows is a brief write-up of my experience using this camera on one of the Rota Vicentina trails. This is a network of many walking trails that exists in southwest Portugal, with a total of around 750km. The one I am writing about today is one I have previously done in December 2019 (details in the link below).
My wife and I enjoyed this trek so much last year, that this year we decided to do it again. With the Covid-19 pandemic still ongoing, we take any opportunity we can to go out and enjoy Nature in this region. So this year, in the beginning of October, we went again for this hike, which provides some great views from the top of the hills, plus some wonderful contact with local farmlands and old ways of rural life.
The weather was wonderful, with plenty of sunshine and puffy white clouds. This time, I only took the little Fuji X100V, tucked away in a small shoulder bag, with a spare battery and polarizer filter. Last year I went with more gear (2 cameras and 2 lenses), so this time around I wanted to see what different types of photos I would come back with. With a 23mm lens on APSC format, the X100V is an excellent camera for occasional shooting, be it landscapes, reportage, or documenting.
This trek is notorious for the very old cork oak trees that can be found along the way. I had some fun time playing around with various compositions and using the polarizer to enhance colours, sky, and clouds. I also tried a few black and white versions from the Raw files.
Old farm house and cork oak tree.Cork oak tree.Cork oak tree.Cork oak tree in black and white.
The well know Arbutus trees are starting to bear fruits which, when ripe, are delicious. They are important for the local economy, as a source for the famous spirited medronho aguardente.
Arbutus tree on the trail.
About half way along the trek, the road climbs towards the top of a hill, where the tiny chapel of Nossa Senhora das Neves can be found. This is a wonderful place to have some rest and enjoy the 360 degrees scenic views.
Panorama view from atop the mountain. Near Our Lady of Snow chapel.Chapel in the distance.
It is also a very good spot to have a picnic lunch. After this, the rest of the trail winds up and down the hills, before descending to the valley. I ended up using the polarizer a lot and liked the results.
Distant view.Crossing ways.Man and cork oak tree along the trail.Fields.Door and cloud.
I was quite happy with the images I made, and again confirmed that the X100V is a powerful little companion for such occasions. I will keep using it a lot on the trail.
Every landscape photographer knows that one of the best times to include the Moon in landscape photos is one day before the full Moon. On that day, the Moon rises around the same time as the Sun sets; this results in a nice light balance during golden to blue hour transition, because as our satellite rises, the landscape is still illuminated by the fading light of the sunset. As a bonus, the following morning the Moon will set around sunrise time, again providing an excellent opportunity for a good light balance. On the day of the actual full Moon, it rises after sunset, which means the landscape will be darker.
During my recent vacation time in the southwest coast of Alentejo, Portugal, I had the opportunity to photograph during the full Moon, so I made plans to choose a nice setting for such. Being familiar with the area, I chose to photograph the Moon rise in Odemira, and the Moon set in Milfontes. In Odemira I set up near the local windmill, which in itself is an interesting subject. By being located in an elevated area, I would see the Moon rising over the surrounding hills. Then, in the ensuing morning I would go to Milfontes to photograph the Moon setting over the river Mira estuary. I have already shared some photos taken during such sessions in my previous essay.
All the best plans can be laid to waste if weather does not cooperate. Fortunately, I was lucky, as the weather cooperated. I drove to Odemira about one hour before sunset, to take some photos of this nice village. The winding road twists and turns as it descends towards the Mira valley, with some good view points along the way.
Odemira windmillOdemira windmill
I spent several minutes photographing the windmill and the village during the sunset. It is a nice spot that affords a 360 degree view, from the village proper to the rising heights towards the South, that culminate in the Monchique mountain at 900m of altitude.
Odemira duskOdemira windmill – the wind blows through the conesLooking South, with the Monchique mountain in the background
Once I saw the Moon rising over the hills in the East, I started photographing it, with the camera firmly mounted on the tripod. I was glad to have a telephoto zoom with me, to provide compositional flexibility from my fixed location. Light levels go down very quickly, so keeping an eye on the exposure histogram is very important. Also relevant is to avoid exposure times that would blur the Moon, which actually moves quickly in the viewfinder!
Moon rise – first peakMoon rise
During this period, I kept an eye on what was happening behind me, as dusk was coming over the village. I made some interesting photos of the windmill and the day-to-night transition.
TransitionMoon rise
After this good photo session, I called it a day and drove back home for dinner. Next step: wake up before sunrise to photograph the Moon setting in Milfontes. The following morning the coastal area was partially covered in fog. I wanted to photograph from the bridge over the river, as it provides an excellent view of the estuary and the village. Fortunately, the area over the river was not completely covered in fog, and the setting Moon was visible. I set up my camera on the tripod in record time, and started to shoot.
Milfontes Moon setMilfontes Moon setMilfontes Moon set
Towards the East, the river was still under the foggy shade of the mountains, enhancing the quietness of the place at this early hour.
Dawn comingDawn over the river
After such a good outing, I returned home for a well deserved breakfast. No matter how many times I photograph in this region, I never get tired of it. There is always something new, due to the changing light and the time of the year. Following the Moon in about a 12 hour period was a great way of showing the character of this singular region, from the interior to the coast.
I have just returned from a few days of vacation in southwest Alentejo, during which I had the opportunity to use a friend’s Fujifilm X100V camera. This is the fifth generation of an iconic camera, and it introduces two major changes to previous models: a redesigned lens (to improve the performance at close focus distances, while wide open) and an upwards tilting screen. At least, these are the major modifications that have made me curious to try the camera. Oh, and of course the camera now is weather resistant, provided you add the adapter plus filter set.
The camera maintains the overall nice retro design from past iterations, and feels robust in use, which are both good things. I made several photo sessions during my days off in the region, including Odemira, Milfontes, Almograve, and Longueira. I tested the close focus performance, which is indeed very good, but to be honest this is something I have never used much with previous versions. What is very nice to have is the tilting screen, which facilitates low angle shots significantly; it is something I am used to in my other cameras, so I am glad it was added.
My first shots were taken during a short walk at the end of the evening near the village of Longueira: rural scenes, an old tractor, and the local windmill were used as test subjects.
Tractor Tractor wheel close up – excellent performance and gradual fall off in the background
Fuji have also updated the ND filter to 4 stops, which may come in handy in some instances. I had to engage it for the shot below, as shooting against the light easily surpassed the camera’s top shutter speed.
Windmill close up, shot at f/2 with ND filter engaged
During the following days I had occasion of making more close up photos of several subjects, and they all came out very good. Seems like the new lens is indeed more capable in this type of situation.
Old wall close upGrass close up at f/4
I also used the camera during a session dedicated to photograph the Moon rise and Moon set in Odemira and Milfontes, respectively. One day before the Full Moon, our satellite rises around sunset time; the following morning it sets close to sunrise time. This is a very good chance to make some interesting photos. In Odemira I walked up one of the hills to set up near the local windmill, but I made a quick diversion to photograph an old abandoned farm house.
Ruined house in Odemira, B&W conversionRusty bucket, OdemiraWindmill in OdemiraWindmill in OdemiraWind blowers against sunset
As soon as the Moon started to rise behind the distant hills, I was busy making several photos of the surrounding landscape.
Moon rise in OdemiraOdemira duskMoon rise in Odemira
The little camera worked flawlessly and without skipping a beat. The following morning I woke up very early to drive to Milfontes to photograph the Moon setting over the Mira estuary. This is such a beautiful and peaceful location, I never get tired of returning to it.
Mira dawn and Moon setMira dawn
During the following days I have continued to use the camera as a documenting companion to my holidays. I took more photos in Almograve and Cabo Sardão.
Flag and waves, Almograve beachStrolling, Cabo SardãoGoing home, Cabo Sardão
This was an excellent chance to try this new camera, which looks to me as a good upgrade from previous versions: the tilting screen is important to me, and the new lens performance at close up is good to have as well. Overall, the new X100V is a very worthy successor in a line of cameras that has helped establish Fujifilm’s reputation in the digital imaging age.
I am writing this short essay as a follow-up to my latest post “Rural summer dawn”. In the latter I wrote about a simple morning walk near my house to photograph the surrounding landscape covered in fog. Fog can add interest to a familar area, which was the case. However, it can also last for a while, which is not good if you want to go to the beach.
Being familiar with the local weather conditions, namely that coastal fog can last for a whole day, I suggested to the family a trip to the interior, to visit two fluvial beaches: Santa Clara a Velha and Pego das Pias. I also wrote about those two places before:
So, after preparing a picnic lunch, we drove to the first place, the 50 year old dam of Santa Clara a Velha, in the river Mira. Sure enough, a few kilometres into the interior, the fog was gone and we were greeted by bright sunshine. The large lake of Santa Clara is a wonderful and refreshing place to spend the day, and that is what we did. I made a few photos, none memorable, but I do like this one where I used the polarizer to enhance the vivid colours of the sky and water.
Santa Clara a Velha dam
In the middle of the afternoon we drove the short distance to Pego das Pias pools, another nice location for a swim. The Pego das Pias is a geomorphological feature carved over thousands of years by the Torgal creek, a tributary of the Mira river. The water has created a narrow gap in the hard rocks, much like a canyon. In the summer, the water level is low, but the evidences of flash floods are conspicuous.
Pego das Pias pools
The location is very scenic, with the quiet pools surrounded by the rocky canyon and many trees that provide plenty of shade. Several large blocks can be seen along the creek, reminders of the force of the water under flash flood conditions. I trekked along the margin upstream, to explore the area a bit more. The views from above are worth the effort, with plenty of green ferns and the famous “pias” – circular smooth depressions carved by the eroding waters.
Pego das Pias pools looking downstreamWater and fernsFernsDry creek bedBoulders
Thanks to the coastal fog, we visited these two wonderful and quiet locations, which I can highly recommend. I look forward to coming to Pego das Pias after some heavy rainfall, it should be interesting.
With the current ongoing pandemic, it is challenging and difficult to make any plans regarding travel or holidays, due to limitations, restrictions, and uncertainties. Thankfully, I often have the chance of taking some days off in my small house in Longueira, in the Alentejo coast. This is a region that I like very much, far away from the crowds; this year even during the Summer it is quieter than usual, due to the lack of foreign tourists.
A couple of weeks ago I spent a weekend there with the family, simply resting and going to the beach, enjoying some quality time. Of course I always take my photo backpack, ready for unplanned opportunities. This essay is about such an opportunity, that presented itself, and that I took advantage of.
One morning I noticed that there was a lot of fog over the area. This was just before sunrise, so I grabbed the camera and lens and went out just to see if I could make some interesting shots. This is a coastal region, and foggy mornings are somewhat common. I went out and walked around a nearby ruined house, which was surrounded by a herd of sheep. I noticed the soft light from the rising Sun, the dew drops on spider webs, and proceeded to make a few photos.
Ruined houseSheep at dawnSheep at dawn
I continued to explore the area, and noticed some nice flowers and spider webs covered in dew. Thanks to the tilting screen of the camera, I was able to frame the subjects easily, from low on the ground.
Web sun riseWebFlower
After a while, the countryside was bathed by the sunlight, and the fog started to lift.
The day begins
I started to walk back home, but made one more stop, to photograph the well preserved windmill. I was attracted by the typical blue that is used in the Alentejo province, contrasting with the white. The red rooster at the top was a nice finishing touch. I also noticed a classic cardinal point indicator atop one of the houses and took a photo of its silhouette.
Typical cardinal point indicatorWindmill
This was no doubt a great start to this day. Later on, I would be taking the family to Santa a Clara a Velha dam and Pego das Pias fluvial pools, but that is a subject for another essay.
Summer in the southwest Alentejo natural park is usually a very busy season, with a large number of people choosing the area for vacation. The main attraction are the many pristine beaches that exist along the coastline and that allow a well deserved rest in a natural and quiet setting. This bit of coastline is probably one of the last “wild” ones in Europe.
I spent a short vacation in the region last week, and noticed that this year the number of visitors had dropped considerably. No doubt the result of the ongoing pandemic crisis. The impact on the local economy will be significant, as in many parts of the World where tourism is a large part of the local income.
For this trip I had no definite plans concerning particular photographic endeavours. Weather permitting, I was hoping to spot comet Neowise after sunset, and go out to photograph the rural fields dotted with the typical hay bales. One of the things I like best about this area is the sea versus land dicotomy that is always present: only a couple of kilometres inland from the coast, the landscape is dominated by rolling hills and rural farmland. If it weren’t for the sea breeze, one might be well within the interior of the country. A true surf ´turf of geographic and climatic nature.
I had previously spotted a few places with abundant hay bales, but I wanted to find a location where they would be complemented by the native cork oak tree, to add a bit more of interest and context to my photos. I found such a place near the island of Pessegueiro, between Milfontes and Porto Covo. After parking the car, I started to walk around looking for potential frames in my mind. I had about 1 hour before sunset, so I was in no rush to start shooting. I normally take my time before setting up the tripod, just familiarizing myself with the surroundings and the light.
Pessegueiro island. There are Roman archaelogical remains (fishing station), plus a ruined late XVI century fort.Endless.
The light had a nice golden quality to it, thanks to the approaching sunset; shadows from the bales were long, complemented by some soft wispy clouds. For some photos I used a polarizer filter to enhance the sky and define the clouds a bit more. I kept moving around and trying different angles, to include the farm houses, the trees, the distant hills and some wind turbines.
Bale and cork oak tree.Farmland.Paired.
Besides using a wide angle lens for greater depth and context, I also used a telephoto lens to isolate the subjects a bit more. Like in the previous photo, and the following ones.
Leaning.Power lines.Rural energy.Sunset.Sunset.
What about the comet? I went to a dark area after dinner, at around 10.30 pm. I knew it would be visible to the northwest, just below the Big Dipper. It was actually easy to find with the naked eye, and it was a great experience seeing it with binoculars. I set up the camera on the tripod and took a few shots, testing the shutter speed to avoid star trailing. There was some atmospheric haze (the day had been very hot) that affected the visibility, as the comet is not very high above the horizon. But overall I am happy with the results, and above all I felt privileged for being able to witness such a spectacular visitor.
Neowise.Neowise.
I was glad I went out for the comet that night, because for the next 2 days the entire coast was covered in fog!
As mentioned in my previous article, today I will write about a unique species of white storks in Portugal’s southwest Alentejo and Vicentina coast. Between Vila Nova de Milfontes and Sagres, this beautiful and still wild coastal region hides another interesting “secret”: it is home to only species of white storks in the world that nest in the coastal cliffs.
Since the 1980’s biologists have been studying and monitoring these colonies of birds. Today, there are over 40 occupied nests. One of the best locations to observe them is in the cliffs near Cabo Sardão. From the car park beside the lighthouse building, it is only a short walk to the edge of the cliffs. There is one nest right in front of the lighhouse´s direction, and another one just a bit towards the south.
Scientists have concluded that most of the couples are still migratory, returning at the end of the Winter. Often the nests are very damaged, and the birds spend a lot of time repairing them. They have to do so in preparation for the birthing of the younger ones in the spring and Summer. Observing these unique birds (plus many other species, of course, like the rare coastal eagles) is a great experience, particularly for the beautiful surrounding seascape.
The best times to observe the storks are during the early morning and late afternoon, when there is more activity relatedto finding food and bringing it to the young ones in the nests. I prefer observing them in the late afternoon, close to sunset, when the light has a magical golden quality. The photos below were taken during a couple of recent visits. A tripod and a telephoto zoom are recommended, for some more close-up compositions and more stability of the gear in windy days.
Sheer dropWhite stork nestWhite stork nestWhite stork nestWhite stork nestWhite stork nest – caring for the young onesWhite stork nest – lift off
For sure I will return to observe these unique birds. Like them, it would be great to be able to fly and soar above these seascapes.
During a recent weekend trip to the southwest Portuguese coast, I had the chance to photograph in the Cabo Sardão area. This is one of my often photographed locations, so it is a challenge to come out with something new, or a different approach. In this occasion, I have planned to tackle two different obiectives. The first one was to photograph the white stork species that lives in the area: this is a unique species of stork, because it nests in the coastal cliffs, and will be the subject for a future essay.
The second objective was to make a few panoramas by shooting a series of photos for later stitching in the computer. There are many sweeping coastal vistas in the area, and sometimes a wide angle lens is not wide enough to encompass the entire scene. For creating panoramas I have been using Panorama Factory, a software that does the job very well.
The first image is a set of 3 photos taken with my Fujinon 16mm f/1.4. The image shows the coast at low tide a short distance away from the Cabo Sardão lighthouse. The hour was close to sunset, so the scene was illuminated with golden light.
Low tide
Next is the classic view of the precipitous cliffs with the lighthouse in the top. This is an assemby of 6 photos, as above taken with the 16mm lens, spanning a large angle of view; larger than what would have been achievable with only a single shot from my wide angle lens.
Cabo Sardão lighthouse
For the third and final image I waited for the full Moon to rise beside the lighthouse. Again, it would have been difficult to get the image with a single shot. This is an assembly of 9 photos taken with the Fujinon 50-140mm f/2.8 telephoto zoom. I like the result because the lighthouse is also lit, as the Sun had just set behind me.
Moon rise
This was an excellent occasion to dust off my panorama abilities, but honestly, these days it is really easy to achieve good results with just a bit of care in the field. For these photos I used a tripod, but this was dictated by the low ISO and concurrent slow shutter speeds. The key concern is to have sufficient overlap between the successive shots, so the software can stitch them correctly.
The ongoing
crisis has taken away simple things that we took for granted, but with the slow
reopening life seems to be gradually returning to “normal”. In the previous
essay I described my first photographic landscape session after the confinement
period. Since then, I was able to go out again for an early morning walk in the
area around Cabo Sardao, in the southwest Portugal coast.
I have been
there so many times over the years I probably lost count, but I always enjoy
returning. The place is beautiful, and it is a privilege to be there,
especially at sunrise and sunset. The best light for landscape photography is
precisely around those times of the day, which in May requires waking up very
early. This can be a challenge, but after being confined for so long, I suppose
I will stop complaining about that! So, I woke up at 5 am, grabbed my camera
and lens plus tripod, and drove the short distance between my house and Cabo
Sardao.
Lighthouse
For this early
morning walk, I simply carried one camera and one lens, plus the tripod. The
lens I had with me was the 35 mm one, which on an APSC camera like mine
provides the angle of view of a classic 50 mm on so called full frame cameras.
Even though I normally photograph in this location with a wide-angle lens, I
can also use the 35 mm lens effectively, challenging myself to get a different
sort of compositions and images.
Into the oceanFirst hint of sunriseCliffsHere comes the sun
The morning
was very quiet and peaceful, with clear skies and no wind. The light from the
lighthouse was still on, as the sunrise was still several minutes away. I made
some photos of the cliffs, the lighthouse, the sea, simply enjoying the place.
I noticed that the storks had already returned to their nests, so I need to go
back with a longer lens; this is a unique species of stork, that lives on the
sea cliffs, and will provide a different type of photographic challenge for me.
In the distance
I stayed there until after sunrise, simply enjoying Nature, and returned home for a well-deserved breakfast.