Voigtlaender 35 mm / 1:1.2 Nokton for Fujifilm’s X system

Last week I had the opportunity to try this relatively recent lens (announced in July 2021) from Voigtlaender. You can find all the details about this lens here:

https://www.voigtlaender.de/lenses/x-mount/35-mm-11-2-nokton/?lang=en

The number of third – party lenses for Fujifilm’s X mount has been increasing in the last few years, and Voigtlaender has already introduced several of them, including this fast 35mm lens, which provides a standard/normal angle of view for the APSC format. As many other Voigtlaender lenses available for other mounts (e.g. VM for Leica M), this is actually made by Cosina. This is similar to other famous names in photographic lenses; for example, many Zeiss lenses are also made by Cosina (think Loxia for Sony E and ZM for Leica M). The bottom line is that all of them are manual focus only and made to very high standards.

To try out the lens, I mounted it on my Fujifilm X-T4 and went to one of my favourite places in Portugal’s SW coast, near Almograve and Cavaleiro villages. This is not a lens test, as I am no expert. I have simply used the lens under various circumstances, checking the results for aspects like bokeh, transition between in-focus and out-of-focus zones, flaring, contrast, colours, etc. Even though it is a very fast lens (f/1.2), it is quite small, thanks to the APSC format and lack of AF and IS motors. Regarding the details on how to manually focus the lens, all the assists in the X-T4 worked without problems; you can use magnification, split prism, microprism, and peak highlight. Given that my subjects were static, I was in not hurry, so I mostly used magnification.

Image courtesy of Voigtlaender.

I have organized this article by topics, so lets start with the first one.

Bokeh and focus transition

From some of the comments and samples that I had researched prior to my experience with the lens, I already knew a few things about it. The photos I got confirmed that the lens, when used wide-open (say between f/1.2 – f/2), is not clinically sharp, and shows some “glow” around the edges of the focused subject. This combination delivers a unique look, which I think is adequate for portraits. I have seen this look in other lenses that I used before, like the Zeiss C Sonnar 50mm f/1,5 ZM and the Canon EF 50mm f/1.2. Basically, the optical aberrations of the lens are under-corrected when used wide-open and near wide-open. As the aperture is stopped down, this “glow” effect goes away and sharpness increases. It is almost like you get two lenses in one.

I have shot Raw and processed the files via two steps: the first one was using Iridient to convert RAF to DNG, and then using Lightroom (LR) on those (I have an old LR version that does not recognize the Raf files from my cameras). Processing in LR is my usual one, starting with Provia “film choice”, followed by simple adjustments to the basic parameters. I really like the rich but natural colours from the lens, plus the excellent contrast.

Below we can the first example I shot, a marker of the Fishermen’s Trail in the Vicentina Route, near Cabo Sardão. Timing was the onset of the golden hour before sunset. This is a focus distance that might represents a close portrait; the background shrub is very close to the wood marker. It is also worth mentioning that the aperture features a 12-bladed diaphragm, and that as we stop down, its shape becomes well defined. I like the transition between the focused and non-focused areas.

At f/1.2, the glow is very clear around the marker. Together with the absence of clinical sharpness, I think it is a nice portrait lens. The background is sent to oblivion.
At f/2, the glow is reduced but still present. Sharpness increases also. Bokeh still features a rounded aperture shape.
At f/4, the lens is really sharp. Bokeh continues to be excellent, with the shape of the 12 bladed aperture becoming apparent. I was lucky because a few trekkers passed by, providing more background elements to the scene.
At f/5.6, the shape of the aperture is clear, but the rendering is still nice.
At f/8, there is still some degree of subject isolation.

The second scene features a football pitch in the foreground and the Cabo Sardão lighthouse in the background. I have focused on the letters in the bench, which were around 2 or 3 m away from my position. It could represent a half-body to full body portrait, for example.

Example with the focus at a more normal distance. Background is also further away, compared to the previous scene. At f/2, the sharpness and focus fall-off are excellent. The depth-of-field is so shallow that the wood post with the rope is already out of focus.
By f/4, the wood post becomes in focus, with the background a little bit more well defined.
At f/8, the depth-of-field extends to more or less the middle of the pitch, so the building is still out of focus.

Finally, my third scene was shot in the coastal dunes near Almograve, at sunrise. I chose the nice flowers blooming around. What we see is the lens behaving similarly to the scenes above.

Flower f/1.2. Example of wide-open glow.
Flower f/2. Glow is less evident, but is still visible.
Flowers at f/5.6.

The second aspect I want to mention is flare. Given the lens is under-corrected by design (when used wide-open, and I think similar to what Cosina does with their “Classic” line of VM lenses), I was actually expecting a worse result than the one I obtained.

Flare

I used the same area with the flowers as above, and shot against the rising sun. One photo with the sun in the upper left corner, almost outside of the frame; and another photo with the sun right in the frame, shining directly on the lens. In both cases I see that the flower is still clear, with no loss of contrast. This is a very good result, and I will have no issues with shooting against the sun. It is important to mention that flare depends on how clean the lens (or filter) is; any particle of dust or any smudge will increase the likelihood of inducing lens flare. I had the lens hood mounted as well. This would be a good time to mention that I saw no chromatic aberrations also, which is good.

Flare #1, f/5.6.
Flare #2, f/5. Even with the sun shining straight on the lens, the result is good.

The third characteristic of the lens I wanted to check is its capability of producing nice sun stars. For that, I went to Odemira for a very early photo session.

Sun stars

Below are two examples shot at f/8 in Odemira, where very nice stars can be seen on the street lamps.

View of Odemira at dawn. The lens makes nice stars around the bright lights.
Another example of sun stars.

Finally, I leave you with a few more image samples taken during my time with this lens. In conclusion, for my typical use cases, I find this lens to be excellent: small, light, robust, easy to use, and with very high (and unique in some aspects) image quality. I do not mind that wide open the lens shows “glow” and less than razor sharpness, because when I take portraits, I am not after forensic detail. For landscapes and general photography, at f/2.8 and above, the lens provides more “modern look” results. One of the things I enjoyed when I was using the Sony E system several years ago was the Zeiss Loxia range of lenses; they were small and very high quality too. I am glad to see that Cosina/Voigtlaender are investing on a similar approach for Fujifilm X. And I hope they release a nice wide-angle landscape lens next.

Nice color and contrast in a normal landscape scene.
The typical white storks of Cabo Sardão.
Cliffs at sunset.
Coastal view. Panorama assembled from 4 images.
Wonderful sunset.
Ghosts at dawn, Odemira.
Windmills at sunrise, Odemira.
Windmills, Odemira.
Windmills, Odemira.
View towards the Serra of Monchique in the south, Odemira.
Posing, Odemira.

One summer afternoon in SW Portugal

The following photos were taken during a recent visit to one of my favorite beaches in the SW Alentejo coast in Portugal, Brejo Largo. I usually visit this beach several times every year, and I have written about it many times before. Located between the villages of Almograve and Vila Nova de Milfontes, this beach is still very quiet, thanks to the absence of a black top road. Summer is not my preferred time of the year to photograph it, because the sky is usually cloudless, but on this occasion I decided to carry my photo backpack with me; the reason being a low tide at sunset.

After spending a wonderful day at the beach, I grabbed my backpack and tripod, and walked along the shoreface. The tide was so low that it was possible to access by foot several other beaches to the south. The geology in tis area is spectacular, with the cliff faces displaying dark Paleozoic schists that are vertical and folded. Numerous quartz veins cut the rock and in places the water runoff creates a strong red and orange iron oxide mineralization.

For this visit I had with me my Fujifilm X-T3 camera and Fujinon 16mm f/1.4 wide angle lens, which I knew was adequate for this beach. This lens also has some useful close focus abilities, that allow concentrating in a few interesting details of the rocks. I leave you with a collection of the photos I made that afternoon.

Rusty.
Water runoff and plants.
Black and white.
Hanging.
Smooth.
Rocks at low tide.
Inviting.
Green cover.
Sand patterns.
Tidal pool.
Incoming wave.
Ripples.
During low tide.
Oxidation.
Mineral colors.
Tidal pool.
On the beach.

Under the smoky sky

We have all seen the news about the ravaging forest fires in Canada, and the resulting enormous associated volume of smoke particles. Propelled by winds, these clouds of smoke have travelled all the way to Europe, arriving in continental Portugal at the end of June. At the time, I was spending a few days in the SW coast of Alentejo, and I had the opportunity to photograph the sunset under these special conditions. Because the light of the sun had to cross this thick dust layer, its color became more intense, while the sky acquired a greyish-purple hue. After a few days, the skies cleared, but this phenomenon remains a strong reminder of the consequences of larger periods of heat and drought that affect our planet.

Walking along a nearby rural road, I took several photos using my 70-300mm telephoto lens, as I wanted the sun to be relatively large in the frame.

This man was going to tend to his cows in a nearby field.
Bird.
Pastoral.
Fire ball.
House of the setting sun.
The path.

The White Storks of the SW Alentejo and Vicentina Coast – New Generation

This past couple of months I visited a few locations where these birds nest, along the SW coast of Portugal. I have written about them already this year, for example in this post:

Since my previous visit, the females have laid their eggs, and the young ones have been born. I was lucky to find one nest with a young bird, and spend some time taking a few photos with my Fujifilm X-T4 and Fujinon 70-300mm lens. The weather was a bit hazy, with occasional sunshine, but really strong winds, thanks to storm Oscar, which affected Portugal last week. As always, I recommend exercising due care when approaching the edge of these coastal cliffs.

The first photos shown below were taken in May, during a previous visit, when the females had already laid their eggs. One month later, the juveniles had ben born.

One of the nests, May 2023.
Nest with eggs, May 2023.
Taking care of the eggs, May 2023.
Adult and juvenile, June 2023.
Adult and juvenile, June 2023.
Adult and juvenile, June 2023.
Adult and juvenile, June 2023.

Hopefully, next year they will return to this place, occupying the same nests, and ensuring their story has a future.

Route 18 of Rota Vicentina, in SW Portugal

After a break of about 1 month, during which I visited the Serra da Estrela region in central Portugal, I went back on the trail in the Rota Vicentina. This time, I chose route 18, which I had never walked before. This is a circular trail located near Bordeira, connecting this village to the coast (see map below).

Map of route 18. This is a circular path 13,5 km long between Bordeira and the coast. The light blue track represents a shorter option (6,5 km), whereas both blue tracks display the entire route.

I walked this trail about 2 weeks ago, in a nice sunny afternoon. The trail starts in Bordeira, a small village near the coast, from where other trails begin, such as route 17, which I have written about before. The path is well signaled and is easy to follow. It offers a mix of hilly terrain, where schist predominates (covered with the green shrubbery of Spring), and sand closer to the shore. Since I was doing this walk for the first time, I carried my Fujifilm cameras and lenses, namely my 16mm wide angle and my 70-300mm telezoom.

In the beginning of the trail, looking at the village of Bordeira.
The hills are covered in these colorful flowers, Gum Cistus.

During the first couple of km, the track climbs a small hill, before descending into the Bordalete valley. Here, you will pass near a farm house, on the way to the coast. The building is a bit ruined, but the fields are still cultivated.

Looking down into the valley.
Along the trail path.
Shepperd dogs in the Bordalete farm.
Bordalete farm house.

Leaving Bordalete behind, the trail climbs again, until it reaches the plateau. The views encompass the Serra de Monchique to the south, plus the first glimpses of the sea in the distance. Soon I reach the dunes where the walk is now over soft sand, making for a slower progress. I spend some time photographing the local flowers, which add some color to the landscape.

Plateau scenery, with Monchique in the distance.
Common Centaury.
Common Centaury.
Wrinkled Rockrose.
Helichrysum.

Reaching the coast, the view opens up into a continuous stretch of wild beaches, between Carrapateira in the south and Arrifana in the north. This is the Vicentina Coast at its best. My advice? Bring your swimming trunks.

The wild Vicentina coast.
Looking north towards Arrifana.
Looking south towards Carrapateira.
Fisherman.

The trail follows the shoreline for a while, before turning back into the interior. It then crosses another interesting place, the Bordalete pine forest, which was planted in the sand dunes as a source of wood. The afternoon is warm, so the shade they provide is welcomed.

The hills near the coast.
Old farm house near Carrapateira.
Sandy trail in the Bordalete pine forest.
Bordalete pine forest.
Bordalete pine forest.

Further along, the trail once more passes next to the Bordalete farm, where a shepherd is gathering the live stock (cows, sheep, and goats) at the end of another day.

Returning home.
Taking care of the animals.

The final part of the walk was made under a cloudy sky, and follows a fertile valley full of purple flowers. The buzzing of the bees is constant. I stop to photograph a few more flowers, which requires waiting for the wind to subside before clicking the shutter.

Field of Purple Viper’s Bugloss.
Lowland near the end of the trail.
Common Vetch.
Rampion Bellflower.

I very much enjoyed this trail, because of the diversity of the terrain, with a mix of countryside and beaches. As Spring turns into Summer, with the concurrent rise in temperature, the trail season in SW Portugal is approaching its end, but perhaps I will manage to walk a few more routes.

An afternoon with the white storks of Cabo Sardão, in SW Portugal

Every year I do my best to photograph this unique species of birds. Like them, I return seasonally to this location in the beginning of Spring. That is when they come back to nest in the coastal cliffs and sea stacks, the only species of white stork in the world that does that. The last time I visited the location in the early morning, in May 2022, and I wrote about the experience here:

This time I went to Cabo Sardão during the late afternoon, and I was happy to see that the nests were occupied. There is a small bay in front of the lighthouse, where several species of birds can be seen; besides the white storks, there are cormorants, and even a couple of peregrine falcons (these are more elusive). Plus, of course, lots of seagulls.

Cabo Sardão at sunset. The sea stack in the middle of the photo is home to three stork nests.

The afternoon was nice, with sunshine and some clouds. The wind was weak, which is unusual for this area, but the sea was very rough, with large waves. It was the first day of Spring, which is the equinox, so the tides were strong.

Rough seas during the Spring equinox.

I used my Fujinon 70-300mm zoom lens and the Fujifilm X-T4 camera for the bird photos. Walking around the cliff edge along the bay, it is possible to get some nice vantage points looking down, from where to photograph the nests. The conditions were good, and compared to previous visits, the rough sea and crashing waves provided some different and really interesting backgrounds. These convey the difficult conditions these birds endure, because the nests were being hit by sea spray; I was further up from the sea and I was being hit by sea spray.

Stork’s nest.
Crashing waves.
Crashing waves.
Crashing waves.

One of the couples of storks was busy ensuring the next generation will be born soon. This was an endearing moment and the first time I have witnessed this behavior. Maybe next month the little ones will be in their nests.

Intimacy.
Intimacy.
Force of nature.
Waves.

If you have them, take a pair of binoculars to scout the cliffs. That was how I managed to spot a small cormorant on the cliff’s face.

Cormorant.

I spend the rest of the time until sunset watching these wonderful birds, and I hope to go back in April to check on the new babies. It is a great time to visit these shores.

Coastal shapes.

Route 16 of the Rota Vicentina, in SW Portugal

With the end of the trail season approaching (the temperature is increasing with the beginning of Spring), last week I have walked a short circular route near Amoreira beach, Aljezur. The map is shown below.

Map of route 16 of the Rota Vicentina (in blue).

This is a short (7 km) and easy walking path that starts in Amoreira beach, at the mouth of the Aljezur brook. From the beach, the trail heads to the interior, crossing a small valley before climbing to the top of the plateau. I stopped in the valley to photograph the numerous red poppies, which add a colorful touch to the landscape. I also found a small frog in a nearby pond.

Spring landscape.
Poppy.
Small frog in pond.
Green valley.

After a couple of kilometers, the trail starts to cross the plateau, which is dominated by small brushes and pine trees. Here and there, a few farms dot the landscape, with cultivated fields and grazing animals.

Plateau and Monchique in the distance.
Grazing horses along the way.
Some cows.

Roughly mid way in the trail, the path turns and heads back to the coast; now the sand dunes prevail, with pine forests and shrubs. During springtime, several typical flowers are in bloom, and I stop to photograph them, using a close-up diopter filter in the telephoto zoom lens.

Three-leaved Snowflake.
Snapdragon.

After reaching the coast, I highly recommend to make a small detour to visit the beautiful Carriagem beach. I was short on time, because sunset was approaching fast, but I could not resist making a few photos. During low tide, the erosional patterns on the rock formations resemble plowed furrows. They are the result of the water cutting horizontally through the folded layers of rock, exposing their internal geometric pattern.

Carriagem beach.
Carriagem beach, with its famous eroded rock formations.

From Carriagem it is only a short walk back to Amoreira, where this particular erosion effect is also present. It really adds a special interest to the landscape. the sun had barely set behind the clouds, resulting in a soft light that was adequate to photograph these dark rock formations.

Erosional pattern seen from above.
Amoreira beach, with its wonderful rock outcrops.
General view of Amoreira beach.

Even though this is a short route, there are may interesting things to see, as the path crosses different ecosystems and landscapes, including the rural interior and the coastal environments. It was the first time I walked this trail, and I am sure I will go back. In terms of photo gear, as usual I carried two cameras (Fuji’s X-T3 and X-T4) and two lenses (Fujinon’s 16mm f/1.4 and 70-300mm f/4.5-f/5.6), plus the tripod.

A coastal walk between Vila do Bispo and Sagres, Southwest Portugal

During the first quarter of 2023, I have walked several trails of the Rota Vicentina, which is a vast network of walking and cycling paths located in the Southwest Alentejo and Vicentina Coast Natural Park. I normally walk in the circular routes because the logistics are easier. However, there are a few non-circular routes that I wanted to walk, notably the one between the villages of Vila do Bispo and Sagres, in the Algarve region of the park. Throughout the years I have visited this area a few times, in particular some beautiful locations such as the lighthouse in São Vicente, and the beaches of Telheiro and Ponta Ruiva. As such, I wanted to go back this year and walk the complete trail, not only parts of it.

This corresponds to route TP-09, which is stage 9 of the Trilho dos Pescadores, or Fishermen’s Trail. The latter is a long 180 km route that follows along this entire coast, roughly between Sines and Sagres. The map below shows only the path for stage 9.

Map of route TP-09 of the fishermen’s trail of the Rota Vicentina.

I chose to start the walk in Vila do Bispo, where I left my car. There is a regular bus service between Sagres and Vila do Bispo, or taxi services, to return. There are more buses during school days compared to weekends, so I recommend you do a bit of research beforehand. At the end of the day, it works alright.

The weather forecast for the day was sunny and mild, which was perfect for a long walk. Spring has arrived in full force, coloring the landscape with many flowers. In fact, one of my interests in this walk was to spend some time searching and photographing several species of flowers that are typical of this region. For such, I had with me an old high quality close-up filter (or diopter lens) to mount on my Fujinon 70-300mm lens; this combination is very good for near macro photography, and I got nice images.

Leaving Vila do Bispo, the path heads directly to the coast, climbing gently until it reaches the coastal plateau. Along the way, some red poppies start to appear in the countryside. It is an easy going and enjoyable walk, and also quite popular, judging by the number of people on the trail. Indeed, when I walk in the interior routes, I normally don’t see anybody, but here that is not the case. Nevertheless, the only sounds I hear are the strong wind and the chirping of small birds.

Countryside near Vila do Bispo.
The trail to Sagres.
Popular trail.
Small bird.

My first planned stop is at Ponta Ruiva (or red rock point), which owes its name to the strong red color of the outcropping rocks. Along the way, I photograph a few more flowers. Some of them are really small, only 1 or 2 cm in diameter; this, plus the constant wind, makes for challenging photographing conditions, but I am patient. There is always a lull in the wind, just 1 or 2 seconds when the wind abates, and that is when I take the photo.

Musk Stork’s-bill.
Lavender.
Bee in lavender.
Scrambling Gromwell. This is a tiny flower with a strong color.
Pale Flax.
Rock Rose.

At the middle of the day, the light is not the most interesting one, so I decide to go for long exposures at Ponta Ruiva, using a neutral density filter. The blue of the sea is really vivid, and the coastal cliffs are more than 100 m high; down below, the waves crash incessantly against the rocks. We are close to Torre da Aspa, the highest point in the west coast of the Algarve, and it shows.

Ponta Ruiva.
Ponta Ruiva.
Coastline near Ponta Ruiva.

A note of caution, which is actually valid for this entire coastal region: the wind is normally strong here, so take proper care when approaching the edge of the cliffs. I keep walking, already with the Cabo São Vicente and its lighthouse visible in the distance. But before arriving there, it is time for a picnic lunch in the Telheiro beach. This beach is famous for its geology, notably an angular unconformity, where the more recent rock strata overlies the near vertical older rocks below. This means that the older rocks were compressed by huge tectonic forces, uplifted and eroded for millions of years, before the younger ones were deposited over them. The best location to see this is on the northern part of the cliff, which is only accessible during low tide. Unfortunately, this is not the case, so I will have to go back another time. Still, this geometric relationship can be also be seen from above, even though it is not the optimal view. Along the trail near Telheiro, it is possible to see some endemic and rare plants, which grow in the calcareous soil of this area.

Telheiro beach.
Angular unconformity in Telheiro.
Gum cistus. It is a rare and endangered plant, endemic to southwest Algarve.
Grey-leaved Cistus. The flowers only last 1 day.

After Telheiro, the path enters an area composed of limestone rock, which has been eroded, creating a typical karstic landscape. The terrain is made up of loose rocks and is not level, so be careful not to twist an ankle. Many plants are in bloom, some with tiny flowers sheltered amongst the rocks, where the sand has accumulated.

Catchfly. Typical of sand dunes.
Snapdragon growing in the sand dunes.
Catchfly nested in the rocks.

After a while, I arrive at São Vicente, but I do not stop there, since I plan to return at sunset. So I keep walking towards Sagres, leaving the path now and then to see the views from the top of the cliffs. It is worth stopping in Beliche to see the fort with the chapel, and the beach with the same name. The landscape here is amazing, with large promontories jutting into the sea. In the distance, it is possible to see the famous Sagres fort, from where the Portuguese Age of Discoveries was planned. People used to say that the world ended here, and one can appreciate why, when facing this endless sea.

Cave near Sagres. The waves go inside and are pulverized, resulting in foam and mist coming out. Sagres fort is in the distance
Panorama of the same location as in previous photo.
Beliche chapel and fort.
Beliche beach.
Sagres promontory in the distance.

I finally arrive in Sagres, and I am lucky because I do not have to wait long for the bus to Vila do Bispo. As a note, the bus stop is right next to the tourism office in the centre of the village. It is only a 10 minute ride back to Vila do Bispo, so pretty soon I am back where I started.

Church in Vila do Bispo.

I rest for a little while, before driving to São Vicente for some photography at sunset. The lighthouse is a popular place with tourists, and a great viewpoint from which to admire the surrounding landscape. The sheer vertical cliffs dropping down from the plateau into the deep blue ocean below, with the crashing waves, make for a beautiful scenery. Again, please be careful if you venture into the cliffs, because the wind is really strong; a sudden change of wind direction can be dangerous if you are too close to the edge. I sit down on some rocks and set up the camera in the tripod to make some photos.

Looking north from the Cabo São Vicente.
Same as above, this time with a telephoto lens. The colorful rocks in the middle distance are in Telheiro beach.
The lighthouse of São Vicente.

Watching the sun going down near the lighthouse was the perfect way to end this memorable day in this beautiful region.

On the trail in route 7 of the Rota Vicentina, SW Portugal

I have walked several trails of the Rota Vicentina since January, with a mix of new and old ones. After a few years of walking in this wonderful SW region, I have a few favorite routes, including this one. Looking at my records, it was the fifth time that I have walked this trail since 2019; in fact, I do this trail every year. So what makes this route so special? In my opinion, if you want to experience the character of the interior region of Odemira, this trail is perfect. It takes you along beautiful rural landscapes, where you can find very old cork oaks, typical farm houses, and panoramic views from the top of the hills.

Spring is a good time to visit, with the fields covered in green grass, and several wildflowers in bloom. Of course I had my camera with me, and of course it was a challenge to try and come away with different photos from the other visits… I have seen this landscape at the end of summer, when it is dry and brown, and at the end of winter, when it is wet and green. What follows is a collection of the photos I made during this latest visit, with my trusty Fujinon 33mm lens, a standard for the APSC format.

Map of route 7, which is located a few km east of the village of São Luis.
Typical landscape along this trail.
Large cork oak.
Old farm house.
Naked tree.
Grazing.
“Erva das Sete Sangrias”, or Lithodora prostrata. These tiny blue flowers are quite vivid in color.
View from the chapel hill. This part of the countryside still has a large area of cork oaks.
The small chapel of Nossa Senhora das Neves.
The pink heather attracts a lot of bees, which results in very tasty honey.
Posing.
Spring has arrived. This is a panorama assembled from 8 photos.
Weekend bikers near the village of Monte da Estrada, one of the possible starting points for this trail route.

On the trail in route 19 of the Rota Vicentina, SW Portugal

As I mentioned in my last blog entry, this month I have walked two routes of the Rota Vicentina for the first time. Today I want to write about route 19, which is located near the village of Bordeira, as indicated in the map below. It is actually located close to route 21 which I have described before, near Carrapateira.

Map of route 19.

This is one of the longest circular routes but it does not have any steep inclines, so it is easy going. The village of Bordeira is nested in the flank of a gentle hill, and has several interesting points, like its church, which dates from the middle of the 15th century.

Panorama of the village of Bordeira.
Church in Bordeira.
Route 19 is also known as route PR3 of the Aljezur municipality.

Leaving Bordeira, the path quickly enters a forested area, where cork oaks predominate. The weather is slightly overcast, with the clouds acting like a giant umbrella, softening the light.

View over the valley near the beginning of the trail.
Trail marker.
Oak hill.

Near the middle of the trail, there is a nice valley which is covered in green grass, surrounded by large oak trees. There are also some flowers that have bloomed in the fields. I spend some time here, before resuming the walk.

Green field.
First seasonal flowers.

My next stop is in a lake created by a small reservoir used for the cattle. The wind creates ripples in the surface of the water. I rest for a while and make a few photos.

Small lake.

The path continues to climb in a gentle fashion, until it reaches the top of the mountain. The wind is stronger now, and the vegetation is scarce; in the distance I can see a sliver of the ocean near the horizon. A good part of the walk goes along the top, before descending into another green valley.

At the top of the mountain.
Shaded path.
Old farm.

As I approach a group of abandoned farms known as Samouqueira, I notice a couple of bikers on the road. I take the opportunity to make a few interesting photos. Once they disappear in the distance a complete silence descends again over the landscape.

Old farm in Samouqueira.
Unexpected encounter.
Off road.
Large cork oak tree.

From Samouqueira only a few easy going km remain until arriving back in Bordeira. This part of the walk follows the Bordeira valley, parallel to the black top road. This was without a doubt another excellent route to walk, and for sure I will return in the future.

I stopped in Aljezur on the way back home, and made a panorama of the village.